Bernd Herzogenrath (ed.) (2017) Film as Philosophy by Christa van Raalte

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ARE ALL WOMEN FEMINISTS? A CRITICAL VIEW ON LADY BIRD (2017) FILM by Gesang Manggala Nugraha Putra, Trisnavia Elma Kharisa

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Murray Smith (2017) Film, Art, and the Third Culture: A Naturalized Aesthetics of Film by Will Kitchen

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Diasporic Cinema: The Representation of Immigrants in Post-2000 German Films by Tuğba Koçak

“…Yasemin Şamdereli‘s 2011 film „Wilkommen in Deutschland“ (Welcome to Germany), Feo Aladağ‘s 2010 film „Die Fremde“ (When We Leave), and Fatih Akın‘s 2017 film „Aus dem Nichts“ (In the Fade) are analyzed using Hofstede’s “Cultural Onion” method and the sociological film analysis method.…”
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Cowboy Cops and Black Lives Matter: Three Billboards Outside Ebbing, Missouri and the Great White West[ern] by Debbie Olson

“…The racial framework of Martin McDonagh’s 2017 film Three Billboards Outside Ebbing, Missouri rests at the intersection of three persistent cultural myths—the Frontier Myth, the hero cowboy myth and the myth of white supremacy. …”
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Nature through God’s Eyes: Eco-theological Perspectives in Paul Schrader’s First Reformed by Kresentia Madina Jelangdeka, Bayu Kristianto

“…Eco-theology is one of the ways for Christianity to bridge its teaching to the environmental crisis. First Reformed, a 2017 film directed by Paul Schrader, is one of the films depicting the interplay between Christianity and environmentalism. …”
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Kartini in two lenses: The shifting image of Indonesian modern woman in R.A. Kartini (1982) and Kartini (2017) by Aidatul Chusna, Shofi Mahmudah Budi Utami, Moh. Imam Subuhi

“…Moreover, Kartini is also presented as a figure of Javanese woman who is characterized by her feminine gestures and manner. Meanwhile, the 2017 film constructs Kartini figure differently. Instead of focusing on her femininity, the film constructs Kartini as an energetic, and rebellious young woman. …”
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The Unwanted Gaze? Feminism and the Reception of the Amazons in Wonder Woman by Walter D. Penrose

“…Marston’s star Amazon, Wonder Woman, became the symbol that motivated the Women’s Liberation Movement of the 1960s and 1970s, a vehicle for later authors such as Perez to bring forward third wave feminist messaging to the masses, and, ultimately, became the heroic protagonist of the 2017 film, Wonder Woman. While her revealing costume has been controversial over the years, and Wonder Woman has been subjected to the male gaze, the film, like the comics before them, utilized a female perspective to question the stranglehold that patriarchy has held over the population.…”
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Between Passion and Compassion: <i>The Story of the Stone</i> and Its Modern Reincarnations by Lei Ying

“…Decades later, love and illusion dwell again at the epicenter of a fallen empire in the director Chen Kaige’s (b. 1952) 2017 film, <i>The Legend of the Demon Cat</i>, in which an illustrious poet sings testimony to the (un)witting (com)passion of a femme fatale.…”
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The Dark Shadow of Virtual Reality by Claire Su-Yeon Park

“…But what is the “Dark Shadow of VR,” and why does it cause concern, particularly in pedagogy? Luc Besson’s 2017 film Valerian and the City of a Thousand Plants showed an exceptional VR world, “Big Market,” a shopping-focused VR platform. …”
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Representation of Young Malay Muslim Optimism in Hoore! Hoore! (2012) and Adiwiraku (2017) by Mohd Said, Bambang Suhartono, Datoem, Arif, Rusli, Fatin Hafshah

“…(2012) and Adiwiraku (2017) films, based of five indicators of optimism according and optimism from Islamic perspective by Imam Al Ghazali exist in the narratives of both study films through character and the character of Malay Muslim teenagers. …”
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Notícias by Transfer Notícias

“…ISSN: 1886-554 216 26. 15th International Pragmatics Conference (IPrA 2017) – Films in Translation – All is Lost: Pragmatics and Audiovisual Translation as Cross-cultural Mediation (Guillot, Desilla, Pavesi). …”
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