{'en_US': 'In Search of Transnational Fascism After the Second World War: The Emigration of Italian Fascists to Argentina, 1945-1955', 'es_ES': 'A la búsqueda del fascismo transnacional luego de la Segunda Guerra Mundial: La emigración de fascistas italianos a la Argentina, 1945-1955'} by Federica Bertagna

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Armenian Art and Culture from the Pages of the Historia Imperii Mediterranei by Riccioni, Stefano

Subjects: “…Historia Imperii Mediterranei (HIM). Italian Fascist culture. Italian artistic historiography. …”
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Miradas desde la Italia fascista sobre la Argentina de los años treinta by Federica Bertagna

“…The article analyzes the views of different Italian fascist political and cultural environments on Argentina in the 1930s, starting from a question: if fascist Italy identified political figures or movements that could be considered related to fascism itself. …”
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Making sense of Ethiopian journalists’ prison experiences during Meles Zenawi’s administration: a phenomenological inquiry by Hailegiorgis Mamo Darge, Amanuel Gebru Woldearegay

“…Alfred Schutz’s “Life World” theory and the Italian fascist political theorist Giovanni Gentile’s Authoritarian Democracy theory were used as lenses to provide a “pure” description of the subject under study. …”
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L’opera dell’Associazione Nazionale per Soccorrere I Missionari Italiani (anmi) fuori d’Europa dal 1886 al 1941 by Anna Nuzzaci

“…Eventually its range of action expanded to China and Persia, and when the Italian fascist government infiltrated Ethiopia, the anmi sent some of his consultants to Addis Abeba.The anmi’s first building projects were the result of the co-operation between the missionaries and the Council of the association. …”
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Renaming Zagreb Streets and Squares by Jelena Stanić, Laura Šakaja, Lana Slavuj

“…Analysis of official changes in street names throughout Zagreb’s history resulted in categorisation of five periods of ideologically motivated naming/name-changing: 1. the Croatia modernisation period, when the first official naming was put into effect, with a marked tendency towards politicisation and nationalisation of the urban landscape; 2. the period of the Kingdom of the Serbs, Croatians and Slovenians/Yugoslavia, when symbols of the new monarchy, the idea of the fellowship of the Southern Slavs, Slavenophilism and the pro-Slavic geopolitical orientation were incorporated into the street names, and when the national idea was highly evident and remained so in that process; 3. the period of the NDH, the Independent State of Croatia, with decanonisation of the tokens of the Yugoslavian monarchy and the Southern Slavic orientation, and reference to the Ustashi and the German Nazi and Italian Fascist movement; 4. the period of Socialism, embedding the ideals and heroes of the workers’ movement and the War of National Liberation into the canonical system; and, 5. the period following the democratic changes in 1990, when almost all the signs of Socialism and the Communist/Antifascist struggle were erased, with the prominent presence of a process of installing new references to early national culture and historical tradition. …”
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Varieties of organised capitalism: technocracy, corporatism and industrial policy in modern France and Italy (1937-58) by Vagge, C

“…It argues that the Italian Fascist regime, Vichy’s French State, the Italian Social Republic (RSI), the French and Italian Provisional Governments, the Fourth Republic and the Italian Republic from 1946 were all developmental states, which utilised organised capitalism to modernise key industries such as iron and steel. …”

The Role of Music in Fascism Propaganda: The Example of the Mussolini Italy / Faşizm Propagandasında Müziğin Rolü: Mussolini İtalyası Örneği by Derya Karaburun Doğan

“…In this study, the Giovinezza Anthem, which was used by Italian fascists as the de facto national anthem in Mussolini Italy, was examined within the terms of the period. …”
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Die Inszenierung der Toten. Italienische Kriegsgräberstätten im Alpenraum als Mittel faschistischer Propaganda by Tragbar, Klaus

“…After their seizure of power in 1922, the Italian fascists radically converted the memorial culture from the mourning of the dead to their celebration as fascist martyrs. …”
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