J.S. Bach : a listener's guide to the classics/ by 328013 Headington, Christopher

J. S. Bach's Concerto Ritornellos and the question of invention by Dreyfus, L

J. S. Bach’ın Çello Süitlerine İlişkin Bir Literatür İncelemesi / A Literature Review of J. S. Bach’s Cello Suites by Evin Erden Topoğlu

Subjects: “…J. S. Bach…”
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Acoustic simulation of J.S. Bach’s Thomaskirche in 1723 and 1539 by Boren Braxton B.

“…This paper investigates an early acoustical theory of Hope Bagenal about the Leipzig Thomaskirche, where J.S. Bach composed and conducted from 1723 to 1750. …”
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Information content of note transitions in the music of J. S. Bach by Suman Kulkarni, Sophia U. David, Christopher W. Lynn, Dani S. Bassett

“…Using this framework, we analyze music composed by J. S. Bach through the lens of network science, information theory, and statistical physics. …”
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The musical setting of text in Cantata no. 140 by J.S. Bach. by Malin, Laura

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J. S. Bach at the coffee house: music as edifying practice by Schwalbach, BN

A Fantasia Cromática, BWV 903, de J. S. Bach by Yara Caznok

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Luis Orlandini – Suites para Laúd de J. S. Bach by Alejandro Reyes van Eweyk

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The St Matthew Passion: J . S. Bach Music School and Auditorium by Sue Gallagher

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J.S. Bach’s Canons BWV 1087: More on Musical Emblematics by Alla I. Yankus

“… The article focuses on 14 canons by J.S. Bach, BWV 1087, written by the composer in the printed copy of the Clavierübung IV (Goldberg Variations) under the title Various Сanons on the First Eight Foundation Notes of the Preceding Aria. …”
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J.S. Bach’s Cantata No. 150: Compositional Features and an Interpretation of the Literary text by Irina S. Stogniy

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PRELUDE AND FUGUE IN G MINOR FOR ORGUE BY J.S. BACH IN ACCORDION INTERPRETATION by ȘTIUCA, PETRU

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Perceptions of J.S. Bach and performance of his music in nineteenth-century England by Pardee, K

“…<p>At the turn of the nineteenth centudy knowledge of J.S. Bach was limited in England to a very few musicians, mostly German organists connected with the Hanoverian court. …”

Respek vir die liturgiese teks: J. Calvyn en J.S. Bach by L. F. Schulze

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THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

Subjects: “…J. S. Bach…”
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The Theology of Death in Cantata BMV 106 by J.S Bach: A Critical Study by Yakub Kartawidjaja

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J.S. BACH’S METHOD OF PLAYING THE CLAVIER AND ITS TRANSFORMATION INTO MODERN PIANO PEDAGOGY AND PERFORMANCE by SVYRYDENKO, NATALIIA

“…Such valuable sources of information for modern piano performers include the theoretical works of F. Couperin, J.S. Bach and C.F.E. Bach. Understanding the primary sources of information concerning modern piano art regarding the achievements gained on the path of improving performance under the influence of reasonable pedagogy can significantly improve the culture of performance, which indicates the effectiveness of the teacher’s work.…”
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THE IMPLEMENTATION OF ORGANISTIC THINKING PRINCIPLES IN PAVEL RIVILIS’S ORCHESTRAL TRANSCRIPTION OF J.S. BACH’S CIACONNE by PÎSLARI SNEJANA

“…This article focuses on the analysis of several peculiarities of Pavel Rivilis’s organistic thinking in the orchestral transcription of J.S. Bach’s Ciaconne, principles that are implemented by the composer through the use of slow and rare timbre changes; contrastive comparison of the orchestral masses and "special registers’ disposition”, expressed in a conventional separation of instruments into groups of labial and reed instruments.…”
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J. S. Bach's experiment in differentiated accompaniment: tacet indications in the organ parts to the vocal works by Dreyfus, L