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    Staging Sedition despite Censorship: the Representation of the People on the Shakespearean Stage in 2 Henry VI by Delphine Lemonnier-Texier

    Published 2013-11-01
    “…Thanks to The Book of Sir Thomas More, there is proof that the Master of the Revels did censor scenes of popular sedition, and the presence of similar and yet apparently uncensored scenes in other Elizabethan plays is somewhat puzzling, even more so when these scenes of popular rebellion appear ambivalent, which is the case of the Jack Cade rebellion in Shakespeare’s 2 Henry VI. …”
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    Works by O. Henry in the Literary-Critical Review of K.I. Chukovsky by Svetlana N. Morozova, Dmitry N. Zhitkin

    Published 2021-03-01
    “…Henry as the successor of Jack London’s traditions at the beginning of the 20th century. …”
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    Looking into the attribute of transcendent genius: George Henry Boker and Robert Conrad’s use of Shakespeare by Ronan Ludot-Vlasak

    Published 2010-07-01
    “…This article explores the literary responses of two nineteenth-century American playwrights to Shakespeare: Robert Conrad (1810-1848) and George Henry Boker (1823-1890). While Conrad aimed at providing a melodramatic counter-model to 2 Henry VI in Jack Cade, he failed to grasp Shakespeare’s ambivalent stance and to challenge his figure as a symbol of literary genius. …”
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