Models de traducció literària i audiovisual en català col·loquial: el cas de «Jackie Brown» de Quentin Tarantino by Dídac Pujol

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Biomarkers of systemic inflammation provide additional prognostic stratification in cancers of unknown primary by Svenja Harvey, Mark Stares, Julie‐Anne Scott, Tharun Joseph Vattam Thottiyil, Alicia‐Marie Conway, Rachel Haigh, Jackie Brown, Gillian Knowles, Sonali Dasgupta, Kai‐Keen Shiu, Claire Mitchell, Colin Barrie, Natalie Cook, Sally Clive

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Return to the Grindhouse: Tarantino and the modernization of 1970s Exploitation Films by Jenny Platz

“…Director Quentin Tarantino’s films Death Proof (2007), Kill Bill I and II (2003 and 2004), Jackie Brown (1997), and Inglourious Basterds (2009) attempt to modernize the active women from exploitation films of the 1970s, reworking the female characters’ mobilization against typical gender roles, and attributing her with the abilities to compete, and even challenge men in a patriarchic society.However, Tarantino’s films mostly fail to progress beyond the trappings of the classic exploitation films of the 1970s, still relying heavily on the excessive display of female bodies, and subjugating women to the male camera and spectator gaze. …”
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