-
1
<i>The Rocky Horror (Picture) Show</i>: a <i>Camp</i> Parody of the Gothic between Mary Shelley, J. B. Priestley and James Whale
Published 2016-11-01“…Se il riferimento più evidente è il Frankenstein di Mary Shelley e la versione cinematografica di James Whale, meno analizzato è il rapporto con Benighted (1927) by John B. …”
Get full text
Article -
2
Frankenstein: das páginas do romance para às telas de cinema
Published 2021-02-01Subjects: Get full text
Article -
3
Desvestindo A noiva de Frankenstein
Published 2016-07-01“…Para essa tarefa, serão utilizados conceitos propostos por Mikhail Bakhtin, Lezama Lima e Ismail Xavier numa análise textual de A noiva de Frankenstein (James Whale, 1935).…”
Get full text
Article -
4
O diálogo entre cinema e literatura em «Frankenstein»
Published 2010-10-01“…Este artigo pretende por meio do diálogo entre a produção literária de Mary Shelley, Frankestein ou o Moderno Prometeu (2001) e as produções cinematográficas Frankenstein: The man who made a monster, de James Whale (1931) e Mary Shelley’s Frankenstein, de Kenneth Branagh (1994) manifestar as características comuns entre as duas artes: Cinema e Literatura. …”
Get full text
Article -
5
<p>«The horror of that countenance» from <i>Frankenstein</i> to <i>Duckenstein</i></p>
Published 2016-12-01“…The face of the monster created by the scientist Frankenstein is a visual and narrative device that is decisive in the novel. From James Whale’s adaptation (1931) the monster mask will be imitated and reproduced in a large number of works from Frankenstein including Disney parody.…”
Get full text
Article -
6
«Frankenstein»: a myth beyond science fiction movies
Published 2016-04-01“…Among the more than hundred of films that were inspired by the Shelley’s work, we have chosen <em>Frankenstein</em><em> </em>(James Whale, 1931) and <em>Mary Shelley’s Frankenstein </em>(Kenneth Branagh, 1994), as the most pertinent examples to discuss the ideas of the novel and because they are clearly different in showing the Frankenstein myth. …”
Get full text
Article -
7
La représentation symbolique de l’apiculteur et de la ruche dans L’Esprit de la ruche (Víctor Erice, 1973)
Published 2023-01-01“…After seeing Frankenstein (James Whale, 1931) with her sister Isabel and the villagers, Ana wishes to take an initiatory journey to discover the world around her. …”
Get full text
Article -
8
Las dos adaptaciones de Waterloo Bridge (El puente de Waterloo, J. Whale, 1931 y M. Leroy, 1940): ¿crisis de la narración o narrativa de la crisis?
Published 2014-03-01“…Sherwood, 1930) por parte de James Whale (1931) y de Mervyn LeRoy (1940) como un buen ejemplo de los cambios ideológicos y morales que sufrió Hollywood a partir de la aparición del código de censura Hays en 1934. …”
Get full text
Article -
9
Manipulación genética: el nuevo monstruo de Frankenstein en el cine
Published 2008-10-01“…</span></p> <p style="text-align: justify; text-indent: 40px" class="MsoNormal"> <span style="font-size: 11pt; font-family: Garamond,serif"> Este artículo analiza tres títulos representativos como son</span><span style="font-size: 11pt; font-family: 'Garamond','serif'"> </span><em> <span style="font-size: 11pt; font-family: Garamond,serif"> Los niños del Brasil/ The Boys from Brazil </span></em> <span style="font-size: 11pt; font-family: Garamond,serif"> (1978),<em> El enviado/ Godsend </em>(2004) y<em> La isla/ The Island </em>(2005), para ilustrar cómo el cine no ha abandonado el modelo narrativo iniciado por <em>El doctor</em> <em> Frankenstein/ Frankenstein </em>(1931) de James Whale, que a su vez toma el mito griego de Prometeo, para mostrar las terribles consecuencias que sufre aquél que osa emular a Dios, único creador de vida.…”
Get full text
Article