And: A Complex Little Word at the Heart of Janet Frame’s Language by Wilfrid Rotgé

“…The aim of this paper is to provide an explanation of Janet Frame’s short story “The Birds Began to Sing” through a detailed study of the grammatical marker “and”, using concepts borrowed from cognitive grammar and the “theory of enunciation”. …”
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Performing (In)sanity: Un-Doing Gender in Janet Frame’s An Angel at my Table by Laura de la Parra Fernández

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Reseña de Janet Frame. Huesos de jilguero: antología poética. Ed. bilingüe. by Blanca Luz Pulido Valera

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The Representatons of Alienation in Postcolonial Novels: Shame by Salman Rushdie and Towards Another Summer by Janet Frame by Özgü AYVAZ

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Loucura, sagrado e poesia.1 A obra autobiográfica de Janet Frame à luz de Julia Kristeva by Ana Pires Quintais

Subjects: “…Janet Frame…”
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Feminist Auto/biography as a Means of Empowering Women: A Case Study of Sylvia Plath’s Bell Jar and Janet Frame’s Faces in the Water by Tomasz Fisiak

“…The works by Sylvia Plath and Janet Frame can be analyzed from the point of view of auto/biographical empowerment, even though their auto/biographical potential is mainly instinctive. …”
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Ending(s), Seriality And Interdiscursivity by Elsa Lorphelin Blaise

“…This article examines the issue of the collection of short-stories in the works of Jean Rhys and Janet Frame. Within its composition itself, it stages the necessary yet paradoxical repetition of endings, along with the incessant regeneration and reinstatement of the narrative voice. …”
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Scrivere è creare un ordine. Donne che con la poesia ricompongono identità by Anna Toscano

“…Da questo punto di vista si trattano autrici come Agota Kristof, Janet Frame, Mariella Mehr, Jozefina Dautbegović, Dalia Rabikovitch.…”
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Communication as Cure by Hannah McIntyre

“…Written in the summer of 1943 in an abandoned embassy building in Mexico City, the essay Down Below recalls this treatment in unnerving detail, anticipating later (semi-)autobiographical works such as Janet Frame’s Faces in the Water (1961) or Sylvia Plath’s The Bell Jar (1963). …”
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New Zealand and Slovenia : cultural contacts, 1923-2000 by Andrej Podbrežnik

“…Other writers whose work has been translated include Janet Frame, Dorothy Eden, Ngaio Marsh, Stephanie Johnson and Samuel Butler.…”
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Foes, ghosts, and faces in the water: self-reflexivity in postwar fiction by Dean, A

“…In the second chapter, I examine how Janet Frame responds to both the demands of a national literature and biographical inquiry into her life. …”