Showing 401 - 420 results of 594 for search '"Jazz"', query time: 0.07s Refine Results
  1. 401

    Teoria das tópicas by Acácio Piedade

    Published 2023-12-01
    “…Partindo da investigação do jazz brasileiro, comento aspectos da retórica e do nacionalismo e, finalmente, trato da teoria das tópicas. …”
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    Article
  2. 402

    The Historical Evolution of the Popularization of Classical Music and the Development of the Fusion of Multiple Musical Styles by Ang Li

    Published 2023-12-01
    “…Then, we examine the development of classical music in the history of popular music, including its relationship to blues, jazz, and American country music. Next, we summarize the history of the fusion of classical and popular music and analyze contemporary examples. …”
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    Article
  3. 403

    Tango-Études, de Astor Piazzolla (1921 – 1992): Elementos para uma abordagem analítica e interpretativa by Vítor Hugo Ferreira de Matos, Domingos Francisco Castro

    Published 2021-08-01
    “… Astor Piazzolla deixou-nos uma obra peculiar com um estilo musical que combina os elementos do tango argentino com os da música clássica e do jazz americano que viria a marcar as décadas de 50 a 70 do século XX. …”
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    Article
  4. 404

    Um nada fica a lembrar-se para sempre. Seis razões para gostar dos romances de Vergílio Ferreira by Luís Mourão

    Published 2018-10-01
    “… Os romances de Vergílio Ferreira fazem da nossa existência um romance que começa a ser escrito, obrigam a atravessar fronteiras (espaciais, filosóficas, genológicas), elucidam sobre a nossa condição de meta-animais físicos, dão-nos a linguagem segundo um modo análogo ao do jazz, ensinam que o amor vem só depois do fim e que o mundo é habitável se o olharmos a partir do impoder, dessa capacidade de levarmos o nosso abandono pela mão. …”
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    Article
  5. 405

    Smyčcové kvartety Jana Nováka by Martin Flašar

    Published 2012-12-01
    “…In general, we can state use of rational (neoclassical) style with elements of jazz and in quartets created in the 60s years, the use of serial techniques. …”
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    Article
  6. 406

    Menelusuri Gejala Decategorization pada Karya Trois Saudade dari Roland Dyens by Ovan Bagus Jatmika

    Published 2020-04-01
    “…Walaupun karya yang ia tulis adalah untuk instrument gitar klasik, namun warna jazz, etnis, folklore, hingga rock cukup terasa kuat dalam komposisinya. …”
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    Article
  7. 407

    ‘Ragged Time’ in Intra-panel Comics Rhythms by Corry Shores

    Published 2016-07-01
    “…We further explicate this concept of irregular rhythm by drawing upon the notion of ‘ragged time’ in the early jazz musical form, ragtime. We finally test its usefulness by examining how the ‘jazzy’ rhythms of Cubist-styled panels by Art Spiegelman and Mary Fleener generate an experience of ragged time.…”
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    Article
  8. 408

    Cruising for Burgers by Martin Knakkergaard

    Published 2010-09-01
    “…In its concrete material Uncle Meat appears both textually and musically as a close pastiche put kaleidoscopically together from unique samples of especially rock, jazz, musique concrète, pop, electronic, and neoclassic, which in unison with lyrics based on a somewhat absurd imagery depict human alienation, debasement and reification. …”
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    Article
  9. 409

    Review section 45.90 by Luis Cárcamo Huechante

    Published 2018-11-01
    “…Reviewed by: Tania Gentic • Tropical Riffs: Latin America and the Politics of Jazz. By Jason Borge. Reviewed by: Charles A. Perrone • The Great Woman Singer: Gender and Music in Puerto Rican Music. …”
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    Article
  10. 410

    ‘Da Brixton a Ghirriland’. Intervista con Geoff Dyer by Silvia Albertazzi

    Published 2018-05-01
    “…Whilst his debut novel is a lyrical representation of youthful life in Brixton during the Thatcher era, in the essays of White Sands, Dyer appears as a restless and somewhat snobbish traveller around sixty, who recommends Adorno, listens to free jazz and, notwithstanding his being a health fanatic, suffered a light stroke at the age of fifty-five. …”
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    Article
  11. 411

    Prácticas musicales e identidades en Salta. Reelaboraciones y sentidos en torno al folklore by Irene López

    “…For that purpose, we undertake the study of two productions located in Salta in the first quarter of the 21st Century, one of them, Saltalogía by the jazz composer Daniel Tinte (Salta, 1969) edited in 2005; the other, El canto hereje, a CD produced as a tribute from rock to the folklore musician of Salta Gustavo "Cuchi" Leguizamón (1917-2000), edited in 2014. …”
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    Article
  12. 412

    A Peculiarly Cerebroid Convex Zygo-Dodecahedron is an Axiomatically Balanced “House of Blues”: The Circle of Fifths to the Circle of Willis to Cadherin Cadenzas by David A. Becker

    Published 2012-11-01
    “…The unusual zygomorphic dodecahedron so obtained is shown to harbor a bilaterally symmetrical jazz/blues harmonic code on its twelve faces that is related to such fundamental music theoretical constructs as the Circle of Fifths and Euler’s tonnetz. …”
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    Article
  13. 413

    Lincoln Grosso: sente o groove | Lincoln Grosso: feel the groove by Lincoln C. Grosso, Jonathas Magalhães Pereira da Silva

    Published 2021-12-01
    “…O conceito é presente no meio musical do jazz ao funk. A busca pelo groove é parte da essência da criação. …”
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    Article
  14. 414

    El autorretrato del adulto como revelador de valores culturales. by Pilar Pérez Camarero

    Published 1998-01-01
    “…Se exponen aquí los resultados de un análisi de tales obras hechas por adultos de cinco colectivos diferentes: personal de humanidades del CSIC (Madrid), médicos del Hospital de la Princesa (Madrid), estudiantes de Historia de la Ciencia de la UlMP (Santander), músicos de jazz y de música étnica y vigilantes de seguridad del Museo del Prado (Madrid). …”
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    Article
  15. 415

    El orquestín mestizo de Cusco by Luis Fernando Prudencio Mendoza

    Published 2021-08-01
    “…Básicamente, la conformación instrumental del orquestín comprende instrumentos melódicos, como la quena, el violín y la mandolina, instrumentos armónicos, como el pampapiano, el acordeón y el arpa, y un set de instrumentos rítmicos agrupados en un solo instrumento al que se denomina yasbán o jazz-band. Ocasionalmente, el orquestín puede incluir una trompeta con sordina o un saxofón como instrumento itinerante durante el pasacalle.…”
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    Article
  16. 416

    L’unicità della drammaturgia Off-Off Broadway nell’Avanguardia americana by Monica Cristini

    Published 2022-05-01
    “…The article presents this new dramaturgy, influenced equally by the American Pop Art, Jazz, Beat poetry, Comics and mass culture, the European dramaturgy of the Absurd and Artaud’s theories. …”
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    Article
  17. 417

    Love Unique Music Corporation / Micellinus Manuil... [et al.] by Ukol, Cdarleen, Simar, Vivi Adrianti, Juning, Norsafikah, Abdullah, Nurazreen Munira, Manuil, Micellinus

    Published 2014
    “…Love Unique Music is focus entirely on organizing Jazz music.…”
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    Entrepreneurship Project
  18. 418

    Out of touch? Challenges in reconnecting bodies with instruments ‘of the future’ by Harper, A

    Published 2020
    “…This article examines the complex history of the contemporary concern with ‘touch’, and its role in the framing and reception of instruments such as ROLI’s Seaboard, JazzMutant’s Lemur, Sensel’s Morph and the Joué. …”
    Journal article
  19. 419

    An exploration of Bob Mintzer's arrangement of footprints by wayne shorter for saxophone quintet and rhythm section / Affifi Adzlan Ahmad by Ahmad, Affifi Adzlan

    Published 2014
    “…As a student majoring in music performance, I always perform jazz standards during my years of studies, but most of the time, I forgot the basic skills as I advance in my semester. …”
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    Student Project
  20. 420

    Ballads in the style of pat metheny a study of four compositions / Saiful Ridzuan Sharafuddin by Sharafuddin, Saiful Ridzuan

    Published 2009
    “…The four compositions are Unity Village, Always and Forever, Never Too Far Away and Letter From Home. A Jazz composition is a complex creation, with a lot of areas of discussion, but the analysis presented will only be consumed with the "fixed" portions of the compositions, which are the composed melody and harmony. …”
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    Thesis