To the Rhythm of Jazz. The Democratic Construction Site of Arquitetura Nova by Francesca Sarno

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Jazz History in Thailand: From Profession to Music Education by Tayakorn Suwannabhum, Kyle Fyr

“…Observations and in-depth interviews with seventeen key informants—jazz teachers, jazz event organizers, jazz musicians, and business owners—were conducted. …”
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KEBERADAAN YOUTH JAZZ COMMUNITY DI KOTA MEDAN by William B. Nababan

Subjects: “…music, youth jazz community, medan…”
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Belátás-irányok a roma jazz kutatása felé by Andras A. Gergely

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JSD: A Dataset for Structure Analysis in Jazz Music by Stefan Balke, Julian Reck, Christof Weiß, Jakob Abeßer, Meinard Müller

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PiJAMA: Piano Jazz with Automatic MIDI Annotations by Drew Edwards, Simon Dixon, Emmanouil Benetos

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Trasformismi <em>jazz</em> nella lingua portoghese by Michela Graziani

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形色从容 = A jazz of colors and shapes by Ng, Woon Lam

“…Therefore, I have chosen the word ‘Jazz’ as part of my title here. I like to feel like listening to a jazz piece when I am fighting against a difficult design problem of colors or shapes. …”
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Transformasi Jazz Yogyakarta: Dari Hibriditas menjadi Komoditas by Sutopo, Oki Rahadianto

“…In the origin, this music became a symbol of resistance by the lower class, whereas in Indonesia jazz became the upper middle class consumption. However, in its development, some jazz musicians try to restore the original meaning by combining local elements and bring a hybrid genre of jazz, although this was not last long. …”
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Jazz Bass Transcription Using a U-Net Architecture by Jakob Abeßer, Meinard Müller

“…Using a training set that covers various music genres and a validation set that includes jazz ensemble recordings, we obtain the best transcription performance for a downscaled version of the reference algorithm combined with skip connections that transfer intermediate activations between the encoder and decoder. …”
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Enhanced White Matter Fiber Tracts in Advanced Jazz Improvisers by Kiran Dhakal, Martin Norgaard, Mukesh Dhamala

“…This enhancement of the diffusion anisotropy along the fiber pathway connecting the lateral prefrontal and supplementary motor is consistent with the functional networks during musical improvisation tasks performed by expert jazz improvisers. These findings together suggest that experts’ creative skill is associated with the task-relevant, long-timescale brain structural network changes, in support of related cognitive underpinnings.…”
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Improvvisare la verità. Musica jazz e discorso filosofico by Neri Pollastri

“…Improvisation is specific of some arts, like jazz music, but, as a practice, it is part of almost all complex human practices, included the professional ones, because of the role it plays in transforming and developing them. …”
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Female Figures of the Jazz Age in Dorothy Parker’s Short Stories by Isabel López Cirugeda

“…Probably her best-known contribution to literature was her condition of the voice of the Jazz Age generation, shifting from acquiescence to irony. …”
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Floris Schuiling, The Instant Composers Pool and Improvisation Beyond Jazz by Clément Canonne

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Improvisação: Nem jazz, nem teatro, mas metamorfose itinerária by Alexandre de Padua Carrieri, Edson Antunes Quaresma, José Vitor Palhares, Ana Rosa Camillo Aguiar

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Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity by Johannes Voelz

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Director perspectives to equity, access, and inclusion in the school jazz ensemble by Leon R. de Bruin

Subjects: “…jazz education…”
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Comparing Synchronicity in Body Movement among Jazz Musicians with Their Emotions by Anushka Bhave, Josephine van Delden, Peter A. Gloor, Fritz K. Renold

“…This paper presents novel preliminary research that investigates the relationship between the flow of a group of jazz musicians, quantified through multi-person pose synchronization, and their collective emotions. …”
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ZOLTÁN KODÁLY’S ART IN TERMS OF JAZZ ANALYSIS OF EPIGRAM 7 by Attila BLAHO

Subjects: “…jazz…”
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Female Figures of the Jazz Age in Dorothy Parker’s Short Stories by Isabel López Cirugeda

“…Probably her best-known contribution to literature was her condition of the voice of the Jazz Age generation, shifting from acquiescence to irony. …”
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