Helsinki or Helsingfors? Jean Sibelius and the stage by Bullock, PR

“…In particular, the chapter argues for the importance of the scores that Jean Sibelius wrote for a number of stage productions, and which illustrate his extensive and productive collaboration with a number of Finland’s Swedish-speaking writers, as well as connecting the city to artistic movements elsewhere in Europe.…”

... Jean Sibelius. Dagbok 1909-1944. Ed. by Fabian Dahlstrom. * Jean Sibelius: Poesie in der Luft. ... by DMG

Několik poznámek k problematice modelace apoteózních finálních struktur v mahlerovských a sibeliovských symfonických juveniliích by Karel Dichtl

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Kevin O’Connell’s North: Modernism, Sibelius, and Identity by Jennifer McCay

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A Herderian Perspective on Finland, Sibelius, and the Kalevala by Philip R. Cataldo

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Kalevala-sarja Uuno Klamiego jako dzieło przełomowe fińskiego narodowego modernizmu by Wojciech Stępień

“…Inspiring by achievements of Western modernists Klami wanted to break up the tendency begun by Jean Sibelius to treat Finnish epos Kalevala only in the national romantic spirit. …”
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Nordic incidental music: between modernity and modernism by Broad, L

“…</p> <p>Through an examination of productions with music by Jean Sibelius (<em>Svanehvit</em>, 1908, and <em>Scaramouche</em>, 1924), Wilhelm Stenhammar (<em>As You Like It</em>, 1920), and Ture Rangström (<em>Till Damaskus</em> III, 1926), the thesis demonstrates that the early 1900s in these countries were characterised by stylistic plurality. …”