Huillet-Straub no cinema moderno: autoria como primado do material e espectatorialidade libertária by Dalila Camargo Martins

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“An eye that saw more lofty things than mortal eye is now struck blind” (Hölderlin): German politics and aesthetics in Jean-Marie Straub and Danièle Huillet’s Der Tod des Empedokles (1986) and Jean-Luc Godard’s Allemagne année 90 neuf zéro (1991) by Karel Pletinck

“…The sudden flourishing of reflections on light, nature and poetry that occurred from the mid-80s onwards in the cinema of Jean-Luc Godard, Danièle Huillet and Jean-Marie Straub, could not fail to surprise. Between their reputation as Brechtian, materialist filmmakers and these seemingly apolitical reflections, developed in conjunction with their appeal to Hölderlin’s “idealist” poetry, there seems to be an insurmountable rift. …”
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Poesia em tempos de indigência by Pedro Süssekind

“…O artigo a seguir discute as conexões entre o filme Quei loro incontri, de Jean-Marie Straub, o romance Diálogos com Leucó, de Cesare Pavese, e as reflexões de Friedrich Hölderlin acerca da Grécia Clássica, dos deuses e do mundo moderno. …”
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De la voluntad de pronunciar una nube. “Fortini / Cani” como paradigma de la cita by José Manuel Mouriño

“…Jean-Marie Straub and Danièle Huillet argue that the cinematic image and sound spring from a sober and clarifying, as well as essentially dialectal and inevitable, relationship. …”
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FILOSOFÍA COMO POLÍTICA, FABULACIÓN Y CINE. NIETZSCHE, BERGSON, NANCY Y DELEUZE by Óscar Barragán Martínez

“…Desde el cine podemos apreciar mejor la propuesta de que el pueblo siempre falta, y es con un autor como Jean Marie Straub que la imagen cinematográfica será inmediatamente política en su deriva hacia nuevos derroteros en los que el pueblo está intervenido por actos de habla filosóficos.…”
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Filosofía como política, fabulación y cine. Nietzsche, Bergson, Nancy y Deleuze by Óscar Barragán Martínez

“…Desde el cine podemos apreciar mejor la propuesta de que el pueblo siempre falta, y es con un autor como Jean Marie Straub que la imagen cinematográfica será inmediatamente política en su deriva hacia nuevos derroteros en los que el pueblo está intervenido por actos de habla filosóficos.…”
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Sous-titrage mon beau souci by Bernard Eisenschitz

“…It also analyzes the work of Daniel Huret on the languages used in his films co-produced with Jean-Marie Straub. Moreover through examples of specific passages of translation in the film Nuit et Brouillard de Resnais (1956) Eisenschitz examines the status of translation in this film. …”
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On fire by Nikolaj Lübecker

“…This article considers Jean-Marie Straub and Danièle Huillet’s essay film about Paul Cézanne: A Visit to the Louvre (Une visite au Louvre, 2003). …”
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Montage in the portrait film: Where does the hidden time lie? by Patrick Tarrant

“…(2001) is a feature-length portrait of the filmmakers Jean-Marie Straub and Danièle Huillet, set almost entirely within the confines of a film editing suite. …”
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