Ethnography and Analysis in the Study of Jewish Music by Malin, Yonatan

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‘Retaining the Tradition – but with an Open Mind’ – Change and Choice in Jewish Musical Practices by Ruth Illman

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Our Musical Heritage: A Century of Jewish Music and Musicians in Winnipeg (Ira Robinson) by Sharon Chisvin

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Minnen från ett finskjudiskt musikerliv i tradition och förändring – by Ruth Illman

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Community Based Music Information Retrieval: A Case Study of Digitizing Historical Klezmer Manuscripts from Kyiv by Yonatan Malin, Christina Crowder, Clara Byom, Daniel Shanahan

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Song and music in the Pauline epistles: Paul’s utilisation of Jewish, Roman and Greek musical traditions to encourage the early Christian communities to praise God by F.P. Viljoen

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Music, History, and Culture in Sephardi Jewish Prayer Chanting by Essica Marks

Subjects: “…Jewish music…”
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General Music Education in a Multi-Ethnic Context, on the Example of State-Run Schools in Poland between the World Wars by Jeż Agnieszka

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Musical Instruments in the Sephardic Illuminated Bibles by Guy Shaked

Subjects: “…alfonso x el sabio; cantigas de santa maria; iberian hebrew bibles; medieval iberian music; medieval iberian jewish art; medieval iberian jewish music; paleography…”
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Las canciones sefardíes y el ciclo de la vida. (Repertorio judea-español de Oriente y Occidente) by Susana Weich-Shahak

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Muzyka bez granic by Karolina Golemo

“…This blurring and softening of the music boundaries is illustrated with the example of surprising connections between fado and Angolan, Capeverdean, Andalusian, Brazilian or Jewish music. The principal argument of the article is the idea that nowadays fado exceeds many borders: the limits of social groups, cultural and ethnic areas, countries and music genres.…”
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Between nationalism, transnationalism, and cosmopolitanism in Daniel Deronda’s Klesmer by Roskams, VC

“…The novel’s musical allusions, especially comparisons to specific historical composers, strengthen Klesmer’s identity as, simultaneously, a representative of an array of Jewish musical talent and a proponent of cosmopolitanism which transcends national and racial boundaries. …”

Creativity, Community, Change: Functions of and motives for singing niggunim by Ruth Illman

“…Jewish musical practices stemming from Kabbalah and Hasidic mystical traditions are currently the object of growing attention among a variety of different Jewish communities in Europe and North America, as well as in non-Jewish spiritual circles. …”
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