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The Iconography of John Ford's Westerns
Published 2020-12-01“…This paper follows the way in which the filmography of the movie director John Ford presents cultural icons. We discuss the symbolism of these images and their cultural significance in the larger context of the West as a cultural area and American culture in general. …”
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Emerson’s Vision of America in John Ford’s "Stagecoach"
Published 2020-07-01Subjects: Get full text
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Emerson’s Vision of America in John Ford’s "Stagecoach"
Published 2020-07-01Subjects: Get full text
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Um período maneirista na obra de John Ford
Published 2022-11-01Subjects: “…John Ford…”
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1916 and Other Risings: John Ford’s 'The Plough and the Stars' (1936)
Published 2018-10-01“…John Ford’s Hollywood film of the Easter Rising, The Plough and the Stars (1936), based on Sean O’Casey’s play from ten years earlier, deserves more respect than it has generally been given. …”
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Doctors of John Ford: a compendium of science, ethics, humanistic heroism and idealism
Published 2016-04-01Subjects: Get full text
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John Ford and the Author Theory: contribution of Anglo-Saxon criticism towards debate
Published 2012-01-01Subjects: “…john ford…”
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Katharine Hepburn en reine de cœur : Mary of Scotland (John Ford, 1936)
“…This article examines how Mary of Scotland (John Ford, 1936) reworks Katharine Hepburn’s persona by articulating film analysis with the analysis of the discourses that surrounded the film on its release, namely in terms of its reception by the film audiences of the time. …”
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Lectures de The Lover’s Melancholy de John Ford (1629) : théâtre et mélancolie
Published 2002-11-01“…First performed at the Blackfriars in 1629, John Ford’s The Lover’s Melancholy lends itself to various interpretations. …”
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Laurent Van Eynde & Natacha Pfeiffer (dir.), John Ford : histoire, image et politique
Published 2022-03-01Get full text
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Angela Carter's “John Ford’s ‘Tis a Pity She’s A Whore”: A schizoid Text
Published 1999-12-01Get full text
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Power, Violence, and the Paradox of Founding in John Ford’s The Man Who Shot Liberty Valance: An Arendtian Approach
Published 2015-12-01“… John Ford’s The Man Who Shot Liberty Valance is widely regarded as one of his best and darkest films and as a deep meditation on the American foundation myth. …”
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O faroeste em John Ford e Glauber Rocha: a verdade e o mito da imagem
Published 2018-10-01Subjects: Get full text
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Les westerns de John Ford : Du libéralisme d’avant-guerre au conservatisme d’après-guerre
Published 2012-05-01Get full text
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DeThe Searchers (1956) à Gideon’s Day (1958) : un cas emblématique d’autoparodie chez John Ford
Published 2022-10-01Subjects: Get full text
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Las relaciones interpersonales en Sergeant Rutledge (El Sargento Negro), de John Ford: una visión platónico-aristotélica
Published 2009-08-01Subjects: “…John Ford…”
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Planos frontais e autoridade em crise no cinema: o acontecimento disruptivo
Published 2021-01-01Subjects: “…John Ford…”
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John Lanchbery, Christopher Caliendo and Film Music History: A Comparison between two Modern Scores (1997 and 2007) for John Ford’s 1924 Silent Epic Western, The Iron Horse
Published 2021-03-01“…The musical accompaniment of silent films is still a relevant issue today, as the vogue of “ciné-concerts” proves. As far as John Ford’s opus is concerned, music is part of the director’s understanding of the essence of cinema. …”
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