Censoring the unseen: revolution and the aesthetics of theatrical space by Taylor, DF

“…In particular, this essay argues, the cuts and annotations of the examiner (and possibly also John Philip Kemble, Drury Lane’s acting managing) disclose an institutional discomfort with the off-stage spaces – besieged walls, subterranean prison cells, sites of execution – that the audience are never taken to and yet must picture for themselves if what is actually unfolding before them is to make sense. …”