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Postcolonial Ibsen: Judith Thompson’s Hedda Gabler (1991)
Published 2006-12-01Get full text
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Rape talks louder than guns feminising men via wartime rape in Judith Thompson's Palace of the End
Published 2018“…It investigates the reasons why American combatants raped Iraqi prisoners in Judith Thompson's play Palace of the End. Inger Skjelsbæk’s Social Constructionist Concept is used to explain the rationale behind wartime man rape and to map out the mechanism of its victimisation and perpetration. …”
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Drama for Students : Presenting Analysis, Context, and Criticism on.
Published 2006Get full text
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Wartime rape as strategic weapon in selected contemporary plays written in English
Published 2017“…Sarah Kane’s Blasted (1995), Colleen Wagner’s The Monument (1995), Lynn Nottage’s Ruined (2007), and Judith Thompson’s Palace of the End (2007) are selected for the study. …”
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