-
1
Postcolonial Ibsen: Judith Thompson’s Hedda Gabler (1991)
Published 2006-12-01Get full text
Article -
2
Radical Feminist Echoes: Judith Thompson’s The Crackwalker and Lion in the Streets/Radikal Feminist İzler: Judith Thompson’ın The Crackwalker ve Lion in the Streets Oyunları
Published 2020-08-01“…This study aims to examine the role of women’s bodies in two of the contemporary Canadian playwright Judith Thompson’s plays, The Crackwalker (1981) and Lion in the Streets (1992), through the lens of the radical feminism, in particular, Kate Millet and Shulamith Firestone. …”
Get full text
Article -
3
Where the Wild Things Are: The Voice of Unreason in the Work of Canadian Playwright Judith Thompson
Published 2010-09-01Get full text
Article -
4
Rape talks louder than guns feminising men via wartime rape in Judith Thompson's Palace of the End
Published 2018“…It investigates the reasons why American combatants raped Iraqi prisoners in Judith Thompson's play Palace of the End. Inger Skjelsbæk’s Social Constructionist Concept is used to explain the rationale behind wartime man rape and to map out the mechanism of its victimisation and perpetration. …”
Get full text
Article -
5
Drama for Students : Presenting Analysis, Context, and Criticism on.
Published 2006Get full text
software, multimedia -
6
Complementary or alternative? The use of homeopathic products and antibiotics amongst pre-school children
Published 2008-01-01Get full text
Article -
7
The evolution of drug resistance in clinical isolates of Candida albicans
Published 2015Get full text
Get full text
Article -
8
Wartime rape as strategic weapon in selected contemporary plays written in English
Published 2017“…Sarah Kane’s Blasted (1995), Colleen Wagner’s The Monument (1995), Lynn Nottage’s Ruined (2007), and Judith Thompson’s Palace of the End (2007) are selected for the study. …”
Get full text
Thesis -
9