Julian Barnes by Vanessa Guignery

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Reconstruction in ‘The Survivor’ by Julian Barnes by Helen E. Mundler

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Experiment(ing) on the Double with Julian Barnes by Miquel Pomar Amer

“…In “Experiment” (1995), Julian Barnes adapts this myth to Postmodernism: multiplicity of voices, reflection on the identity, rewriting of (hi)story, scepticism, irony, experimentation and a need of active readership. …”
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Redefinition of Englishness in Julian Barnes’s Arthur & George by Naghmeh Varghaıyan

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Hyperreal Replicas in Julian Barnes' "England, England" by Mohammadreza Shayanpoor, Farzad Kolahjooei

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Julian Barnes’s Flaubert’s Parrot and the Writerly Text by Vali Gholami, Payam Babaie

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Narrative Techniques in Julian Barnes' The Sense of an Ending by بلعيد طه شمسان سعيد

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Literature and the Post-secular: The Case of Julian Barnes by Lilia Miroshnychenko

“…The body of post-secular texts constantly grows, and this paper suggests yet another one, by contemporary writer, Julian Barnes, whose fiction and non-fiction contribute to the makeup of post-secular moments. …”
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Exploring post-truth in Julian Barnes's The Sense of an Ending by Sheikh Saifullah Ahmed

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Self-Justifying Narrative in Julian Barnes’ The Sense of an Ending by Nazila Heidarzadegan, Omercan Tum

“…Although the term ‘unreliable narrator’ has long existed, it was the modernist and post-modernist authors who added new dimensions to it. Julian Barnes, as a postmodernist author, was constantly involved in questioning the concepts of history and truth and formed a new mode of an unreliable narrator who has an ability to deceive the reader, consciously or unconsciously, by suggesting different alternatives of his past actions as a means of self-justification. …”
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History as Story and Parody in Julian Barnes’s the Noise of Time by Catană Elisabeta Simona

“…This article analyses Julian Barnes’s The Noise of Time, a postmodernist parody of the Russian communist world, and shows that historical truth is turned into a story which is remembered with bitter irony and which offers various interpretations. …”
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The partial postcoloniality of Julian Barnes's Arthur & George by Dodson, E

“…Julian Barnes’s 2005 novel Arthur & George, unlike the rest of his oeuvre, has been read as a “subtly postcolonial narrative” (Boehmer, Indian Arrivals 198). …”

Julian Barnes’s The Only Story – Within and Beyond the Author’s Idiosyncrasies by Petr Chalupský

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Domestication and Foreignization in two Translations of Julian Barnes’ The Sense of an Ending by Afaf Alwan, Baleid Taha Shamsan, Gibreel Sadeq Alaghbary

“…The present study aims at exploring the translation strategies used in translating culturally loaded expressions in two translations of Julian Barnes’ The Sense of an Ending. In particular, the study seeks to ascertain the extent to which cultural content is retained by the translators or domesticated to cater the target language audience. …”
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Memories and Stories Redefining the Past and History in Julian Barnes’s the Sense of an Ending by Catană Elisabeta Simona

“…This essay analyses Julian Barnes’s The Sense of an Ending and argues that the concepts of the past and history are redefined by the narrator’s subjective memories and stories in a postmodernist manner. …”
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THE IMAGE OF A MAN OF CATASTROPHE IN JULIAN BARNES’S NOVEL “THE SENSE OF AN ENDING” by Olena S. Annenkova.

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Vanessa Guignery, Julian Barnes from the Margins: Exploring the Writer’s Archives by Peter Childs

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Discourse, Cultural Capital and Power Relations in Julian Barnes’s The Sense of an Ending by Karagianni Eleftheria

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NOT “THE ONLY STORY”: NARRATIVE, MEMORY, AND SELF-BECOMING IN JULIAN BARNES’ NOVEL by Diana MELNIC, Vlad MELNIC

Subjects: “…The Only Story, Julian Barnes, Paul Ricoeur, memory, storytelling, self-becoming, identity…”
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Revisiting Noah’S Ark in Julian Barnes’ A History of the World in 10 ½ Chapters by Muthu Liana

“…Considering that intertextuality is the text’s property of being connected to other previous texts, Julian Barnes’ novel, “A History of the World in 10 ½ Chapters”, rewrites the Biblical story of Noah’s Ark. …”
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