QAnon: A rising threat to democracy? by Julien Bellaiche

“… On November 27, 2020, Julien Bellaiche presented on QAnon: A rising threat to democracy? …”
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Quand le crime donne un visage au journal à sensation by Will Straw

“…This article highlights the unsung fate of “Detective Ashelbé” (HLB), who acquired an ephemeral notoriety when the film director Julien Duvivier adapted his novel Pépé le Moko. It illuminates the functioning of a small corporate sheet in the mediocre milieu of the 1920s French private police and traces the relationships that eventually link Ashelbé and Gallimard.…”
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Henri La Barthe, l’inventeur de Détective by Dominique Kalifa

“…This article highlights the unsung fate of “Detective Ashelbé” (HLB), who acquired an ephemeral notoriety when the film director Julien Duvivier adapted his novel Pépé le Moko. It illuminates the functioning of a small corporate sheet in the mediocre milieu of the 1920s French private police and traces the relationships that eventually link Ashelbé and Gallimard.…”
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Étudier les infrastructures pour ouvrir les boîtes noires politiques. Entretien avec Timothy Mitchell by Timothy Mitchell, Pierre Charbonnier, Julien Vincent

“…This interview with leading historian and political scientist Timothy Mitchell, by Julien Vincent (historian) and Pierre Charbonnier (philosopher) introduces to a work where the relationship between politics and infrastructures is central. …”
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Paradigma e progresso – uma questão sobre o desenvolvimento da teoria semiótica acerca das modalidades crer e saber by Eliane Domaneschi

“…Based on “paradigm” and “progress” metatheoretical categories provided by Thomas Kuhn in The structure of scientific revolutions, 1962, this paper analyzes two Paris School Semiotics texts about the modalities believing and knowing: “Le savoir et le croire: un seul univers cognitif”, published in 1983 by Algirdas Julien Greimas; and “Reconnaissance de l’espace fiduciaire”, published by Claude Zilberberg in 1988. …”
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Le Grand Dépotoir by Julien Blaine

“…Après avoir mis fin en 2005 à son activité performatrice, Julien Blaine a décidé en 2020 de mettre fin aussi à son activité d’artiste visuel et de se débarrasser de toute la production qu’il a accumulée pendant sa vie en organisant à la Friche de Marseille ce qu’il a intitulé ironiquement Le Grand Dépotoir. …”
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Qualitative and Nutritional Characteristics of Plum Cultivars Grown on Different Rootstocks by Eliška Zezulová, Ivo Ondrášek, Tomáš Kiss, Tomáš Nečas

“…Rootstocks did not have influence on the fruit weight, but ‘Karkulka’ reached significantly higher fruit weight on St. Julien A and Citation rootstocks (32 g) than on the other three rootstocks (24 to 26 g). …”
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Sur Un Balcon en Forêt by Alain Trouvé

“…This article looks at the mechanisms of literary writing-reading in Julien Gracq's Un balcon en forêt. This novel marks in the author a shift from dream writing to realism, which accentuates its divergence from André Breton's Surrealist Manifesto. …”
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Entre víctimas y victimarios… desollar, enmascarar, encarar by Iván Ruiz

“…To do so, we will analyse a number of fragments of two documentary films: La libertad del diablo by Everardo González (2017) and Soles negros by Julien Elie (2018). Here we explore the symbolic processes of dealing with the recent violence in this country.…”
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Brianchón y su Teorema by José Manuel Sánchez Muñoz

“…Este artículo versa sobre las investigaciones de un joven Charles Julien Brianchón cuando sólo contaba con 21 años y estaba aún en su época de estudiante del École Polytechnique de París. …”
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To look like the birds: about the enunciation structure present on a kind of cartographic map by Felix Thürlemann

“…According to the steps of Algirdas Julien Greimas, that has always encouraged the studies on different domains of visual expression - regardless the implied expression’s substance - we have chosen as an object of analysis a textual genre extra-aesthetical - a cartographic map - with the intention of studying how can be structured the enunciation of a particular type of map called view like a bird’s flight.…”
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De la posture énonciative à la diathèse : gestion et gestation du sens by Marion Colas-Blaise

“…This paper, which analyses extracts of Le balcon en forêt by Julien Gracq, aims to question once more the notion of enunciative posture that has been examined by Alain Rabatel in his point of view theory. …”
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Euro-Integrations of Serbia: A Semiotic Analysis by Marija Krstić

“…Accordingly, based on data gathered from the media, euro-integrations are shaped into a narrative, which is subsequently analyzed from a semiotic point of view, primarily utilizing the methods of Algirdas Julien Greimas. Two levels of meaning will be analyzed in the paper: the semio-narrative (surface, syntagmatic, specific) level will be explored using the transformational and actantial model, while the deep, abstract, paradigmatic and atemporal level will be analyzed using the semiotic square. …”
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Présentation d’un conte de Haute-Bretagne : « Le cheval noir et le vagabond » (approche linguistique et symbolique) by Claude Bourel

“…I collected the tale of the Black Horse and the Vagabond from my grandmother in 1963 in Saint-Julien, south of Saint-Brieuc. She was 82 years old at the time. …”
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A free boundary problem arising from branching Brownian motion with selection by Berestycki, J, Brunet, E, Nolen, J, Penington, S

“…The problem arises as the hydrodynamic limit of an interacting particle system involving branching Brownian motion with selection, the so-called Brownian bees model which is studied in the companion paper (see Julien Berestycki, Éric Brunet, James Nolen, and Sarah Penington [Brownian bees in the infinite swarm limit, 2020]). …”

A luz como linguagem nas campanhas dos perfumes Chanel e Tom Ford by Patrícia Kiss

“…As campanhas foram analisadas sob o viés da semiótica plástica de Julien Greimas e Jean-Marie Floch e utilizou-se os conceitos de linguagem fotográfica e retórica visual.…”
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A luz como linguagem nas campanhas dos perfumes Chanel e Tom Ford by Patrícia Kiss

“…As campanhas foram analisadas sob o viés da semiótica plástica de Julien Greimas e Jean-Marie Floch e utilizou-se os conceitos de linguagem fotográfica e retórica visual.…”
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La marche des idées . ‘Introduction’. by François Dosse

“…Accusés périodiquement de trahison depuis Julien Benda, quand ce n’est pas de complot contre la culture, ballottés entre divers rôles suggérés par la Cité (Cassandre ou Créon), pris dans la tourmente des engagements protestataires ou laudateurs, tour à tour veilleurs contre la raison d’État et conseillers du Prince, les clercs ont perdu le fil d’Ariane qui les identifiait de manière sereine à l’image de l’indignation militante depuis l’Affaire Dreyfus. …”
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D’ajusteur dans un Centre d’essais en vol à la direction de l’ANACT. Entretien avec François Guérin (ANACT)

“…François Guérin was involved in the founding, at the turn of the 1960s/1970s, of the French-speaking school of ergonomics, based on the analysis of activity in work situations. ,Paul Bouffartigue and Julien Pelletier conducted on behalf of the NRT this interview, where he describes the conditions for the emergence of this current of action research , within the intellectual community set up by Alain Wisner. …”
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Straturi ale interpretării în opera "Flautul Fermecat" by Traian Penciuc

“…Starting from the pre¬mises that all these interpretations are legitimate, this opera being an open work, but also, that Magic Flute is essentially a fairy tale, this paper explains its polysemic virtues using the actantial model of Algirdas Julien Greimas. We will point out that these allegorical interpre¬tations are the exterior layers of the opera, borrowing in a truncated way its actantial structure, struc¬ture which is more dynamic and complex suggesting much deeper meanings.…”
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