Iphigenia as A Bestseller: The Sacrifice of Abraham and Its Slavic and Ottoman Nachleben by Vladimir Boskovic

“…In addition, the Cretan text also surpassed its initial linguistic framework by a series of translations which in turn became very popular: the Serbian translation by Vićentije Rakić (Žertva Avraamova, which is also the first known stage performance of the text, set up by Milovan Vidaković in the Serbian gymnasium of Novi Sad in 1836), the Bulgarian translation by Andrey Popdoynov Robovski (Služba, ili žertva Avraamova), as well as at least two Karamanlidic Turkish translations by Sophronios of Şile and Ioannikios of Kazanlık (Hazreti Avraamin... kurban hekyaesi). …”
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