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    Kehinde Wiley: A New Republic by Jillian Russo

    Published 2015-11-01
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    Posing Dead to Make a Claim on Life in Paul Mendez and Kehinde Wiley by José M. Yebra

    Published 2024-12-01
    “…This paper intends to explore the convergence of queerness and blackness in Paul Mendez’s Rainbow Milk and black portraiture art, especially Kehinde Wiley’s portraits, with particular attention to his Christ-related works. …”
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    Défier et rénover les codes du portrait historique : le pari de Kehinde Wiley by Lynn Bannon

    Published 2022-01-01
    “…Connu pour converser durablement avec les canons artistiques traditionnels européens, l’artiste Kehinde Wiley s’approprie des oeuvres du passé qu’il réintroduit dans son univers créatif contemporain majoritairement dominé par la portraiture de jeunes Afro-Américains issus de la culture hip-hop. …”
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    BORDER CROSSING, GENDER CONSCIOUSNESS AND EMANCIPATION IN POSTCOLONIAL NARRATIVES OF ISIDORE OKPEWHO’S CALL ME BY MY RIGHTFUL NAME, THE VICTIM AND BUCHI EMECHETA’S SECOND CLASS CITIZEN, KEHINDE by Irene AKUMBU WIBEDIMBOM

    Published 2024-12-01
    “…The conditions of the displaced postcolonial subjects in their transnational space and their responses to the realities of this space are zoomed in by a postcolonial reading of Isidore Okpewho’s Call Me By My Rightful Name and The Victims and Buchi Emecheta’s Kehinde and Second-Class Citizen. One of the major issues handled by both writers is the question of gender consciousness and emancipation. …”
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