The construction of an ethnic Chinese identity in Hong Kong Kung Fu films. by Yeo, Ronnie See Heng.

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Can audience involvement stimulate visit intention in Chinese Kung Fu? Using a serial multiple mediation model to explore film tourism by Jiangtao Xia, Qihang Qiu, Yifan Zuo, Liang Wang

“…Accordingly, this study takes Chinese Kung Fu film and television as an example, using the method of regression model to study audience involvement, cognitive destination image, tourists’ anticipated experiences, and visit intention into an overall framework. …”
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TOWARDS THE SCREEN OF THE CEREBRUM: SELF-DESIGN AS A RESPONSIBILITY OF FORMS / К ЭКРАНУ ГОЛОВНОГО МОЗГА: САМОДИЗАЙН КАК ОТВЕТСТВЕННОСТЬ ФОРМ... by LIUSYI ALEKSANDR P. / ЛЮСЫЙ А.П.

“…As a first step to the image of thought itself, kung fu films are presented, in which thought coincides with the movements, and the movements are inseparable from thought, since the kung fu master shows not feelings, but only flights of thought, which are also movements of the body. …”
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