Talbotowski paradygmat wizualności fotografii by Stanisław Czekalski

“…His photographs of Lacock Abbey windows were a paradigmatic example that determined the understanding of each photo on the level of its basic self-reflexive content: in the first place, the photographic picture shows how reality before the camera lens projects its “skiagraphic” drawing – a “stamp,” as it were – on the paper surface, and how the forms of objects are reduced to that surface and grasped on it. …”
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