Nationalist, Hemispheric, and Global: “Latin American Music” and the Music Division of the Pan American Union, 1939-1947 by Pablo Palomino

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Inmigrantes andinos en Madrid: Sus danzas y sus músicas tradicionales by Lourdes Morales

Subjects: “…Latin American music…”
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Palomino, Pablo. 2020. The Invention of Latin American Music. A Transnational History. Nueva York: Oxford University Press. by Juan Carlos Poveda

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Mujeres en la murga porteña: Arte, territorialidad y empoderamiento by Almendra Aladro

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Uma visão geral sobre repertórios usados em cerimônias de xamanismo universalista no Brasil by Marcelo Ricardo Villena

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Auto-exotismos, la musicología latinoamericana y el problema de la relevancia historiográfica (con un apéndice sobre música sacra y el siglo XIX) by José Manuel Izquierdo König

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Asociaciones, disputas y redes internacionales. La gestión de los festivales de música de Caracas, Montevideo y Washington entre 1954 y 1966 by Hernán Gabriel Vázquez

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Robin Moore, Ed. 2012. Musics of Latin America. Walter Aaron Clark (contributing editor). New York, London: W. W. Norton. by Marysol Quevedo

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Safety Notes by Nelson Falcão de Oliveira Cruz

“…I intend to briefly present the concept that I proposed in the II Latin American Music Therapy Meeting (this initial proposal is published on the Revista Brasileira de Musicoterapia. …”
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Indígenas, africanos, roma y europeos: Ritmos transatlánticos en música, canto y baile by K. Meira Goldberg, Antoni Pizà

“…Hace algo más de un año, la Foundation for Iberian Music (The City University of New York), The Center for Iberian and Latin American Music (University of California, Riverside), el Centro de Estudios para la Cultura y la Comunicación (Universidad Veracruzana) y la Universidad Cristóbal Colón convocaron el congreso Indígenas, africanos, roma y europeos: Ritmos transatlánticos en música, canto y baile, el cual tuvo lugar en Centro Veracruzano de las Artes Hugo Argüelles (CEVART) en el Puerto de Veracruz, México del 11 al 13 de abril de 2019. …”
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Musical Tradition in Latinamerica: a bonding between Cuba and Mexico by Norma Estela García López, Ana María Sedeño Valdellós

“…If we discuss genealogic develop of musical genres and styles, we can find a common trunk in Latin American music. Although its branches are open and varied, you can also find a confluence in their thinking, a historical becoming marked by the relationship with politics and a feedback of their genres. …”
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La música en las representaciones de lo latinoamericano en los primeros filmes hollywoodenses con sonido incorporado (1927-1932) by Juan Carlos Poveda

“…What notions and background information of Latin American music would have reached the hands of the musicians of the Hollywood industry during the beginnings of the sound film era? …”
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Ricardo Lorenz: A Post-Colonial/Modern Latin(o) American Composer by Hermann Hudde

“…In order to understand how and why postcolonial/modern theories opened up new paths for Lorenz’ musical works, this article introduces Ricardo Lorenz as composer and cultural agent related to Latin American and Latino communities in the United States with his positions of Interim Director of the Latin American Music Center at Indiana University (1987-1992), Chicago Symphony Orchestra Composer-in-Residence, Armonía Musicians Residency Program (1998-2002) and Latin IS American (2013-?) …”
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Performance in Latin America by Elizabeth Schwall

“…The Invention of Latin American Music: A Transnational History. By Pablo Palomino. …”
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Pierre Boulez, Latin America, and the European Avant-Garde After 1950 by Cristina Losada

“…By reference to Boulez’s writings, and based on a critical reading of the works that reflect the influence of Latin American music, I will discuss how some of the most important changes in his musical language, like his emphasis on elements of contrast and resonance, were inspired by his experiences on this tour, as much, or more, than by more recognized influences, like Japanese and African music. …”
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Juan Orrego Salas: Cien Años de un Compositor Cervantino by Carmen Cecilia Piñero Gil

“…En Orrego Salas confluyen compositor, musicólogo, docente, gestor y crítico musical además de un verdadero adalid de la promoción de la música latinoamericana como fundador del LAMC (Latin American Music Center) en Bloomington, perteneciente a la norteamericana Universidad de Indiana. …”
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HEITOR VILLA-LOBOS E A INTERNACIONALIZAÇÃO DA “EDUCAÇÃO MUSICAL”: ICONOGRAFIA, AMERICANISMO MUSICAL E PAN-AMERICANISMO (1933-1946). Dossiê: História, Política e Relações Internacio... by Loque Arcanjo Junior., Alexandre Reis Santos, Juliana Caetano Machado

“…For this purpose, the letters exchanged between Villa-Lobos and the Teuto-Uruguayan musicologist, present in the musicologist's personal and professional collection, became important documents, considering them as important historical sources as constructions of sociocultural relations; the analysis of newspaper clippings from the 1930s and 1940s, present at the Villa-Lobos Museum; and the study of iconography present in the Latin American Music Bulletin, published in 1946. Keywords: Internationalization; International relations; Musical Americanism; Pan Americanism; Musical education; Recebido em: 01/07/2019  – Aceito em 31/07/2019…”
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<i>Essays on Art in Venezuela </i> (Ramón de la Plaza, 1883): an Ethnohistorical Musical Perspective by José Ángel Viña Bolívar

“…In this paper a canonical text of the Venezuelan and Latin American musical historiography is analyzed in order to update its approaches through an ethno-historical musical bias.…”
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