LeRoi Jones to Amiri Baraka: A Philosophical Journey of a Black Author by Jiří Stárek

Subjects: “…Amiri Baraka/LeRoi Jones…”
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Subjective Violence and Objective Violence: Revolt as Emancipation of Others in LeRoi Jones’ The Slave by Sussan Rahimi Bagha, Leila Baradaran Jamili

“…This article postulates the concepts of subjective violence and objective violence in constructing the revolutionary others in The Slave (1964), the ideological play by Amiri Baraka (1934-2004), also known as LeRoi Jones. The blacks are identified as the others in the white dominant societies, and the inconvenience of their livings under no effective ‘Civil Rights’ has faded their legitimated targets. …”
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