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Affective Deception: Experiencing Genderplay in Louisa May Alcott
“…The essay attempts to theorize affective responses to a selection of Louisa May Alcott’s texts. Little Men, Moods, “Enigmas ,” and “My Mysterious Mademoiselle” all feature scenes of cross-gender play and revolve around deception due to the play on stereotypical gender expectations. …”
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The Alcott Sisters in Rome: A Tragicomic Chronicle
“…Alcott’s support to the patriots is here discussed as part of the neglected intellectual legacy of Bronson Alcott, whose romantic pedagogy inspired Little Men: her novel conceived and written in Rome.…”
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LITTLE WOMEN /
Published 1990“…Alcott subsequently wrote two sequels to her popular work, both also featuring the March sisters: Little Men (1871) and Jo's Boys (1886). The novel has been said to address three major themes: "domesticity, work, and true love, all of them interdependent and each necessary to the achievement of its heroine's individual identity. …”
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El viaje surrealista de Joanna Domanska / The surreal journey of Joanna Domanska
Published 2017-12-01“…Joanna Surrealism Domanska is current and different, causing trouble with pieces where always appear anonymous little men back, facing a gigantic object: unowned houses, huge books, instruments. …”
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The country woman and the sergipano high hinterland: the use of oral history in history teaching/A mulher sertaneja e o alto sertão sergipano: o uso da história oral no ensino de h...
Published 2020-04-01“…This experience had as its culminating point a research practiced in the Florestan Fernandes Settlement, located in Canindé de São Francisco-SE, for that purpose we made use of the Oral History Methodology, which offers innumerable possibilities, among them the one of giving voice to “little men”, so that from their experiences and worldviews, we can have an unofficial understanding of the most varied events. …”
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El viaje surrealista de Joanna Domanska / The surreal journey of Joanna Domanska
Published 2017-12-01“…Joanna Surrealism Domanska is current and different, causing trouble with pieces where always appear anonymous little men back, facing a gigantic object: unowned houses, huge books, instruments.…”
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