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VERBALIZATION OF THE CONCEPTUAL LAYER OF THE CONCEPT «LOVE / ЛЮБОВЬ» IN LOUIS ARMSTRONG’S SONG TEXTS
Published 2020-05-01“…The purpose of the present paper is to carry out the description of the cognitive attributes that form the conceptual layer of the concept "love / любовь" and are verbalized in Louis Armstrong’s song texts and to compare them with the meaningful minimum of the concept recorded in English dictionaries. …”
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„Square”, „White Negro” i The Beatles, czyli kogo spotkał Mowgli w drodze do ludzkiej osady
Published 2016-06-01Subjects: Get full text
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Music Therapy as a Potential Intervention for Sleep Improvement
Published 2020-01-01“…Joanne Loewy The Louis Armstrong Center for Music and Medicine, Mount Sinai Beth Israel, New York, NY 10003, USACorrespondence: Joanne LoewyThe Louis Armstrong Center for Music and Medicine, Mount Sinai Beth Israel, 10 Union Square East, New York, NY 10003, USATel +1 212 420-3484Email Joanne.Loewy@mountsinai.orgAbstract: Sleep deficiency is linked to chronic health problems, such as heart disease, kidney disease, high blood pressure, diabetes, stroke, obesity, and depression. …”
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Underlying Music Mechanisms Influencing the Neurology of Pain: An Integrative Model
Published 2022-09-01Get full text
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Trumpeting through the iron curtain: The breakthrough of jazz in socialist Yugoslavia
Published 2012-01-01“…On account of the openness of the regime during the 1950s and 1960s, Yugoslavia was frequently visited by the greatest jazz stars, such as Dizzy Gillespie, Louis Armstrong and Ella Fitzgerald. In the context of the Cold War, the promotion of jazz in Yugoslavia proved to be beneficial for both sides - by exporting jazz, America also exported its freedom, culture and system of values, while Yugoslavia showed the West to what extent its political system was open and liberal, at least concerning this type of music.…”
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Scat Singing Learning Method in Jazz Vocals for Vocal Students of Music Presentation Institut Seni Indonesia Yogyakarta
Published 2023-06-01“…This form of vocal improvisation was first popularized by Louis Armstrong in 1962. Scat singing is often learned by imitating improvised musical instruments into vocals, such as saxophones, trumpets, guitars, or pianos. …”
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Review of Eric Porter. 2002. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press
Published 2001-02-01“…This conviction led the esteemed jazz scholar Gunther Schuller to write a huge book on the Swing Era that consists almost entirely of record reviews. Writing on Louis Armstrong in The Swing Era, Schuller goes out on a limb and says that “one must eventually come to grips with the totality of his life and work. …”
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Les « routes du jazz », ou portrait du jazz en nomade : mémoire sonore et voyage identitaire dans Jazz from the Haiku King de James A. Emanuel (1999)
“…Décrivant volontiers son activité poétique récente comme « des ponts jetés entre musique et poésie », revendiquant la paternité du genre du « jazz and blues and gospel haiku » dont la pratique s’est affirmée et systématisée dans son recueil Jazz from the Haiku King paru en 1999, il paraît ainsi s’inscrire de plein droit dans la tradition des poètes jazz initiée par un Kerouac ou un Burroughs au cours de la période particulièrement riche dans ce domaine de la Beat Generation.Consacré à l’exploration de l’« anatomie du jazz » à travers l’évocation d’une myriade de figures du jazz, du gospel et du blues – de Louis Armstrong à Sonny Rollins en passant par Cab Calloway, Ray Charles et Mahalia Jackson – le recueil est avant tout conçu comme le parcours de reconnaissance d’une mémoire culturelle. …”
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