Introduction: Louisa May Alcott, Love Lessons by Martha Saxton

“…Louisa May Alcott wrote about love in one form or another for most of her life. …”
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Affective Deception: Experiencing Genderplay in Louisa May Alcott by Ralph J. Poole

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Rage and Rebellion in Louisa May Alcott’s “A Whisper in the Dark” by Karolina Korycka

“…This article discusses the feminist implications of Louisa May Alcott’s 1863 Gothic story “A Whisper in the Dark,” which not only expresses the anxieties that the author experienced in response to her upbringing and her social reality, but also provides an extensive critique of patriarchal culture. …”
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Domestic Wounds: Nursing in Louisa May Alcott’s War tales by Daniela Daniele

Subjects: “…Civil War; Louisa May Alcott; War Nursing in American literature; Dorothea Dix…”
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Queering Louisa May Alcott: Gender and Genius in Diana and Persis by H.J.E. Champion

Subjects: “…transgender history Louisa May Alcott…”
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Louisa May Alcott’s Changing Views on Women, Work, and Marriage in Work by Jelena Šesnić

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The Brilliant Friends: Origins of a Success. Louisa May Alcott and Elena Ferrante by Collina Beatrice

Subjects: “…louisa may alcott…”
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The Sparrow’s Fall: Self’s Mergence with Identity in Louisa May Alcott’s Hospital Sketches by Travis Martin

“…In the environment Faust describes, Louisa May Alcott “would have given much to have possessed the art of sketching, for many…faces became wonderfully interesting” (33). …”
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Performing Womanhood: Fictions of Love in Louisa May Alcott’s Behind a Mask by Stéphanie Durrans

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The Sparrow’s Fall: Self’s Mergence with Identity in Louisa May Alcott’s Hospital Sketches by Travis Martin

“…In the environment Faust describes, Louisa May Alcott “would have given much to have possessed the art of sketching, for many…faces became wonderfully interesting” (33). …”
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Psyche and Pygmalion: The Heart’s Desires Revised in Louisa May Alcott’s “A Marble Woman” by Michaela Keck

Subjects: “…Louisa May Alcott; nineteenth-century women’s fiction; classical myth; Amor and Psyche; Pygmalion…”
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Fallen Castles in the Air: Marriage, Labor, and Suppression in Louisa May Alcott’s 'Little Women' by Elizabeth Karpen

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“So Contrary and Provoking”: Love in Louisa May Alcott’s An Old-Fashioned Girl (1869) by Sirpa Salenius

“…Although Louisa May Alcott’s An Old-Fashioned Girl (1869) promotes conventional gender expectations and traditional values, at the same time it depicts heterosexual marriage as mercenary and dispassionate. …”
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“Love and Self-Love”: The Balance between Sympathy and Self-Respect in Louisa May Alcott’s Early Fiction by Asun López-Varela Azcárate

Subjects: “…Louisa May Alcott…”
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EMANSIPASI PEREMPUAN DALAM RANAH DOMESTIK PADA NOVEL �LITTLE WOMAN� KARYA LOUISA MAY ALCOTT by Bella Saputri Indrapuri, Eggy Fajar Andalas

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Translation of the English nominal suffixes into Indonesian in Louisa May Alcott’s little woman: The equivalent and shift category by Ira Maisarah, Ade Suci Oktariani, Yelni Erniyati

“…The data are taken from the novel Little Women by Louisa May Alcott and the Indonesian version translated by Annisa Cinantya Putri. …”
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Love, Gender Relations, and Women’s Education in Louisa May Alcott’s “Anna’s Whim”—A Close Reading of Intertextual Allusions by Julia Nitz

“…This paper explores how Louisa May Alcott, in her 1873 short story, “Anna’s Whim,” invokes a particular concept of love and conjugal bliss to express her stance on the relation between the sexes in direct response to ongoing discussions about the woman question and the role of education in her time. …”
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Transnational Relationships, US Feminism, and the Labor of Dark Foreign Men in the “New World” of Europe in Louisa May Alcott’s Diana and Persis by Leslie Hammer

Subjects: “…Louisa May Alcott…”
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The Right Tone for the Hardest Moments: Louisa May Alcott’s New York Stories of Child Labor and Urban Benevolence in the Mid-1870s by Daniela Daniele

“…This article examines Louisa May Alcott’s tales based on her mid-1870s tour of philanthropic institutions for New York’s homeless boys. …”
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“She Loves Nothing but Her Art”: Vibrant Marble and the Agency of the Female Artist in Louisa May Alcott’s “A Marble Woman, or The Mysterious Model” by Verena Laschinger, Annemarie Mönch, and Sophia Klefisch

“…At first glance, “A Marble Woman” (1865) seems to offer but a trite marriage plot, assuaging Louisa May Alcott’s contemporary readers while containing the heroine’s scandalous abilities. …”
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