WICKED LOVELY / by 407724 Marr, Melissa

“…Seventeen-year-old Aislinn, who has the rare ability to see faeries, is drawn against her will into a centuries-old battle between the Summer King and the Winter Queen, and the survival of her life, her love, and summer all hang in the balance.…”

Narrative Empathy, Vulnerability and Ethics of Care in William Trevor’s Fiction by Angelo Monaco

“…Using a corpus of William Trevor’s fiction, Reading Turgenev (1991) and Love and Summer (2009) as case study, the essay suggests that Trevor’ use of metafictional devices (metalepses and the disnarrated), temporal disarray and multifocal perspectives tends to complicate the general assumption of empathy as necessarily easy and spontaneous. …”
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IMAGES OF LOVE IN THE ENGLISH JAZZ DISCOURSE by O.A PLAKHOVA

“…The image layer of the concept "love / любовь" is represented by different types of metaphors: militaristic (love is war), astronomical (love is the Orb of night), meteorological (love is a wind; love is summer), mytho-religious (love is magic; love is paradise), floromorphic (love is a flower), auditory (love is music), psycho-somatic (love is a patient; love is madness) and metaphor of the elements (love is fire). …”
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