Lucrezia Borgia alla luce trasmessa by Maria Chiara Spiezia

“… The article analyses the complex digitisation project of Lucrezia Borgia's letters and registers recently carried out by the tech company Haltadefinizione at the State Archive of Modena. …”
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Nota su Lucrezia Borgia nella musica by Consuelo Picchi

“…Riasunto: Nel presente scritto si fa una riflessione sulla presenza di Lucrezia Borgia nella musica ed anche sull’interesse della figlia del papa nella musica del Tromboncino. …”
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THE CHARACTER “LUCREZIA BORGIA” OF DONIZETTI’S HOMONYMOUS OPERA. AN ANALYSIS OF CHARACTER AND VOCAL FEATURES by Edith Georgiana ADETU, Petruța Maria COROIU

Subjects: “…Lucrezia Borgia, Donizetti, character, typology, vocality…”
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La Lucrècia Borja de ficció en el drama d’Hugo i els seus derivats by Marc Gomar Calatayud

“…Lucrezia Borgia is the best example of what Kristeva names «the abject» in Pouvoirs de l’horreur (1980). …”
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Lucrècia Borja. L'alteració d’una identitat i l’errònia atribució de la pintura de Flora de Bartolomeo Veneto by Alexandre Vico

“…Keywords: Lucrezia Borgia, Pol Coronado, Portrait, Bartolomeo Veneto, Flora…”
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Lucrècia Borja en la premsa espanyola de 1835 a 1875 by Marc Gomar

“…Paraules clau: Lucrècia Borja, Huit-cents, premsa, dones poderoses, drama   Abstract: In the period of time between 1835 and 1875, the opera (or play) Lucrezia Borgia was always running somewhere in Spain. …”
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Topographie und Topologie in Edith Kneifls Kriminalromanen by Ester Saletta

“…Women who recall Lucrezia Borgia and men under the impulse of uncontrolled violent emotions move from town to town showing that the criminal setting is not just a plain narrative landscape but rather more of a topographic and topologic stage on which the human identity can let its unconscious­ness be free to self-determination.…”

The Counsel of the Fox. Examples of Counsel from the Commedia, Short Stories, Letters and Treatises by Bruno Capaci

“…The subject of this essay—that is, the rhetoric of counsel—allows us to observe the interpretative richness of this element of the “new rhetoric” through examples offered by Dante, Giovanni Boccaccio, Lucrezia Borgia and Niccolò Machiavelli, straddling the late Middle Ages and the Renaissance, bridging the fi elds of literature and history.…”
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La retorica del contagio da Boccaccio al Coronavirus: i casi della peste del ’300, del ’500 e del ’600 tra fonti storiche e letteratura by Elvira Passaro

“…In Boccaccio, the plague of 1348, like the breakdown of the social pact between the one and the whole, is at the basis of Pampinea's proposal of “honestly going”: not safety but the possibility of finding a mental ecology. Lucrezia Borgia's letters on the initiatives undertaken during the Modena plague of 1505 show that quarantine is justified in common opinion by the pragmatic argument: the persuasive effect coincides with the decline in the epidemic curve. …”
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Review of Kelley Harness. 2006. Echoes of Women’s Voices: Music, Art, and Female Patronage in Early Modern Florence. Chicago and London: University of Chicago Press by Melanie L. Marshall

“…The concept of patronage as a means of fashioning a public identity is familiar, but aside from William Prizer’s articles on Isabella d’Este and Lucrezia Borgia (e.g., 1982; 1985; 1999), and studies of convents by Robert Kendrick (1996), Craig Monson (1995), and Colleen Reardon (1996; 2002), there is little substantial work on women’s musical patronage in Italy. …”
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GIULIO CARLO ARGAN E LE TECNOLOGIE PER I BENI CULTURALI by Francesca Salvemini

“…The sweetness of Creusa on the horizon of Aeneas, the pastoral “imago” of ‘Asolani’ of Pietro Bembo, dedicated on 1504 to Lucrezia Borgia: “Né mai s’inlaga mar senza tempesta.” …”
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