Effect of Species Composition on Growth and Yield in Mixed Beech–Coniferous Stands by Avram Cicșa, Gheorghe-Marian Tudoran, Maria Cicșa (Boroeanu), Alexandru-Claudiu Dobre, Gheorghe Spârchez

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Forest Dynamics after Five Decades of Management in the Romanian Carpathians by Gheorghe-Marian Tudoran, Avram Cicșa, Maria Boroeanu, Alexandru-Claudiu Dobre, Ionuț-Silviu Pascu

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Applications of TLS and ALS in Evaluating Forest Ecosystem Services: A Southern Carpathians Case Study by Alexandru Claudiu Dobre, Ionuț-Silviu Pascu, Ștefan Leca, Juan Garcia-Duro, Carmen-Elena Dobrota, Gheorghe Marian Tudoran, Ovidiu Badea

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Growth Relationships in Silver Fir Stands at Their Lower-Altitude Limit in Romania by Gheorghe-Marian Tudoran, Avram Cicșa, Albert Ciceu, Alexandru-Claudiu Dobre

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Development of Mathematical Models for the Estimation of Dendrometric Variables Based on Unmanned Aerial Vehicle Optical Data: A Romanian Case Study by Gheorghe Marian Tudoran, Alexandru Claudiu Dobre, Avram Cicșa, Ionuț Silviu Pascu

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Modeling the Diameter Distribution of Mixed Uneven-Aged Stands in the South Western Carpathians in Romania by Albert Ciceu, Diana Pitar, Ovidiu Badea

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Spring and Autumn Phenology in Sessile Oak (<i>Quercus petraea</i>) Near the Eastern Limit of Its Distribution Range by Ioana Maria Gafenco (Pleșca), Bogdan Ionuț Pleșca, Ecaterina Nicoleta Apostol, Neculae Șofletea

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Hölderlin kot spomenik umetnosti 19. in 20. stoletja by Helmut Loos

“…Že njegovi sodobni skladatelji, kot npr. Ludwig van Beethoven, ga niso upoštevali. Izjemo predstavlja Robert Schumann, ki ga je Hölderlin že v njegovi mladosti popolnoma očaral.…”
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Performative gestures in Beethoven’s piano sonatas by Dinov Marija

“…The main discussion is concentrated on the analysis of movements that emanate from the characteristics of the piano technique, particularly of technical elements in the piano sonatas by Ludwig van Beethoven.…”
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Beethoven's Ninth and AI's Tenth: A comparison of human and computational creativity by Anthony K. Brandt

“…Composer Ludwig van Beethoven died in 1827, leaving behind several dozen sketches for his Tenth Symphony. …”
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Chrystus na Górze Oliwnej op.85 Ludwiga van Beethovena. Próba introspekcji (część II) by Marek Dudek

“… Ludwig van Beethoven, znany w kręgach muzycznych głównie z dorobku instrumentalnego, żywo interesował się twórczością wokalno-instrumentalną. …”
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Chrystus na Górze Oliwnej op.85 Ludwiga van Beethovena. Próba introspekcji (część II) by Marek Dudek

“… Ludwig van Beethoven, znany w kręgach muzycznych głównie z dorobku instrumentalnego, żywo interesował się twórczością wokalno-instrumentalną. …”
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Česká beethoveniana Rudolfa Pečmana by Pavel Sýkora

“…Beethoven's personality and work is the foremost element in the musicological heritage created by Rudolf Pečman that is manifested especially by his monograph Ludwig van Beethoven's Stage Work (1999). In the 1950s Pečman examined the slavonic subjects in Beethoven, mainly the relations between Russian folk songs and String quartets op. 59 – Rasumovsky. …”
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Performance Strategies of the First Eight Bars in Beethoven's Piano Sonata op.2, no. 1 – a Comparative Analysis of Thirteen Recordings Made in Different Periods by Mirna Azevedo Costa, Ernesto Hartmann

“…In the present work we investigate the possible relationship between the structure (identified by Arnold Schoenberg as a "sentence") of the first eight bars of Ludwig van Beethoven's Piano Sonata, op.2, no. 1 and the performance strategies perceived in thirteen audio recordings of the piece made by renowned pianists between 1930 to 2006. …”
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10. The Influence of Eusebie Mandicevschi on the Formation of the Personality of the Composer Marţian Negrea by Acatrini Vladimir, Vovk Myroslava, Filipchuk Nataliia

“…Eusebie Mandicevschi (1857 - 1829) left posterity a complex musical work: vocal, symphonic, chamber, choral music, prestigious critical studies on Johann Sebastian Bach, Ludwig van Beethoven, Joseph Haydn, Franz Schubert, Johannes Brahms, distinguishing himself, throughout his life, through a sustained and competent pedagogical activity, through a prodigious social activity he was a teacher at the “Akademie für Musik und darstellende Kunst” in Vienna, as an archivist and librarian at the “Gesellschaft der Musikfreunde” in Vienna.…”
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The late Nadine Gordimer by Riach, G

“…While examining the technical characteristics of her late style, I argue that she invokes a trinity of renowned late stylists – Samuel Beckett, William Shakespeare, and Ludwig van Beethoven – to determine the aesthetic co-ordinates of her work. …”

“ADIEUX À BACH” by Sára AKSZA GROSZ

“…However, by farewell sometimes new perspectives open, and other possible influences and models become clear either, within family for a father’s son (Carl Philipp Emanuel Bach) or outside of it, in a composer generation distance (Ludwig van Beethoven). …”
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Pengkaryaan Muzik Bagi Orkestra Simfoni: Gabungan Ciri-Ciri Klasikisme, Romantisme Dan Muzik Abad Ke 20-An by Teng, Hong Wee

“…Karya yang kita hayati kebanyakan adalah hasil daripada komposer yang terkenal dalam zaman Klasik seperti Joseph Haydn, Wolfgang Amadeus Mozart dan Ludwig van Beethoven. Persoalannya, "Adakah kita mempunyai karya untuk orkestra simfoni?" …”
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Music as a Component of Biographic Text by Svitlana Macenka

“…For example, the genre of musician biography is viewed as based on the corresponding biographies of W. A. Mozart, Ludwig van Beethoven and Richard Strauss. It is noted that W. …”
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INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION by Mihaela ITIGAN, Stela DRĂGULIN

“…Outstanding representative of the classical music composed in the transition period from XVIIIth to XIXth centuries, Ludwig van Beethoven remains memorable in the history of music through the strength, audacity, and remarkable rhetoric of his musical discourse. …”
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