Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1 by Poundie Burstein

“…Abstract: A striking gesture appears at the climax of the first phrase of the Menuetto from Ludwig van Beethoven’s Sonata for Piano in F minor, Op. 2, No. 1. …”
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Performative gestures in Beethoven’s piano sonatas by Dinov Marija

“…The main discussion is concentrated on the analysis of movements that emanate from the characteristics of the piano technique, particularly of technical elements in the piano sonatas by Ludwig van Beethoven.…”
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L’Allegro con brio del Concerto op. 37 di Beethoven: un modello di conversazione by Anna Scalfaro

“…This teaching application focuses on Ludwig van Beethoven’s third Piano and orchestra concerto op. 37 in C minor (1803), in particular on the first movement, the Allegro con brio. …”
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Beethoven's Ninth and AI's Tenth: A comparison of human and computational creativity by Anthony K. Brandt

“…Composer Ludwig van Beethoven died in 1827, leaving behind several dozen sketches for his Tenth Symphony. …”
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Chrystus na Górze Oliwnej op.85 Ludwiga van Beethovena. Próba introspekcji (część II) by Marek Dudek

“… Ludwig van Beethoven, znany w kręgach muzycznych głównie z dorobku instrumentalnego, żywo interesował się twórczością wokalno-instrumentalną. …”
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Chrystus na Górze Oliwnej op.85 Ludwiga van Beethovena. Próba introspekcji (część II) by Marek Dudek

“… Ludwig van Beethoven, znany w kręgach muzycznych głównie z dorobku instrumentalnego, żywo interesował się twórczością wokalno-instrumentalną. …”
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Ethic / Aesthetic Aspect of Emotions Ecologicity in the Works of Art by V I Shakhovsky, P S Volkova

“…Joy as a variation of liberty theme is analyzed in Ludwig van Beethoven Symphony No. 9 “Choral,” Anthony Burgess’s A Clockwork Orange and S. …”
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Beethoven's deafness, the defiance of a genius by Bento, Ricardo Ferreira

“…Introduction: Ludwig van Beethoven, one of the greatest composers in History, was tormented for his whole life by a progressive deafness without definitive diagnosis. …”
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Česká beethoveniana Rudolfa Pečmana by Pavel Sýkora

“…Beethoven's personality and work is the foremost element in the musicological heritage created by Rudolf Pečman that is manifested especially by his monograph Ludwig van Beethoven's Stage Work (1999). In the 1950s Pečman examined the slavonic subjects in Beethoven, mainly the relations between Russian folk songs and String quartets op. 59 – Rasumovsky. …”
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Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” by Paolo Gallarati

“…The exercise consists in a description of the first movement of the Sonata op. 31 no. 2, "The Tempest", by Ludwig van Beethoven. During an intermittent but complete listening of the initial Largo-Allegro, the various passages are introduced, avoiding technical terms and focusing on a description of the expressive effects obtained by the composer through the sound of the piano, and the melody, rhythm, and syntax of the instrumental discourse. …”
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Time-course variation of statistics embedded in music: Corpus study on implicit learning and knowledge. by Tatsuya Daikoku

“…Transitional probabilities of highest-pitch sequences in Ludwig van Beethoven's Piano Sonata were calculated based on different hierarchical Markov models. …”
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Performance Strategies of the First Eight Bars in Beethoven's Piano Sonata op.2, no. 1 – a Comparative Analysis of Thirteen Recordings Made in Different Periods by Mirna Azevedo Costa, Ernesto Hartmann

“…In the present work we investigate the possible relationship between the structure (identified by Arnold Schoenberg as a "sentence") of the first eight bars of Ludwig van Beethoven's Piano Sonata, op.2, no. 1 and the performance strategies perceived in thirteen audio recordings of the piece made by renowned pianists between 1930 to 2006. …”
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10. The Influence of Eusebie Mandicevschi on the Formation of the Personality of the Composer Marţian Negrea by Acatrini Vladimir, Vovk Myroslava, Filipchuk Nataliia

“…Eusebie Mandicevschi (1857 - 1829) left posterity a complex musical work: vocal, symphonic, chamber, choral music, prestigious critical studies on Johann Sebastian Bach, Ludwig van Beethoven, Joseph Haydn, Franz Schubert, Johannes Brahms, distinguishing himself, throughout his life, through a sustained and competent pedagogical activity, through a prodigious social activity he was a teacher at the “Akademie für Musik und darstellende Kunst” in Vienna, as an archivist and librarian at the “Gesellschaft der Musikfreunde” in Vienna.…”
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The late Nadine Gordimer by Riach, G

“…While examining the technical characteristics of her late style, I argue that she invokes a trinity of renowned late stylists – Samuel Beckett, William Shakespeare, and Ludwig van Beethoven – to determine the aesthetic co-ordinates of her work. …”

In Search of a Lost Composition by Beethoven: The Equale in A-LId-49 by Bernhard Rainer

“…It is well known that in 1812 Ludwig van Beethoven composed the Three Equali for Four Trombones (WoO 30) for the Linz Cathedral Kapellmeister Franz Xaver Glöggl. …”
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“ADIEUX À BACH” by Sára AKSZA GROSZ

“…However, by farewell sometimes new perspectives open, and other possible influences and models become clear either, within family for a father’s son (Carl Philipp Emanuel Bach) or outside of it, in a composer generation distance (Ludwig van Beethoven). …”
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Pengkaryaan Muzik Bagi Orkestra Simfoni: Gabungan Ciri-Ciri Klasikisme, Romantisme Dan Muzik Abad Ke 20-An by Teng, Hong Wee

“…Karya yang kita hayati kebanyakan adalah hasil daripada komposer yang terkenal dalam zaman Klasik seperti Joseph Haydn, Wolfgang Amadeus Mozart dan Ludwig van Beethoven. Persoalannya, "Adakah kita mempunyai karya untuk orkestra simfoni?" …”
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Music as a Component of Biographic Text by Svitlana Macenka

“…For example, the genre of musician biography is viewed as based on the corresponding biographies of W. A. Mozart, Ludwig van Beethoven and Richard Strauss. It is noted that W. …”
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INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION by Mihaela ITIGAN, Stela DRĂGULIN

“…Outstanding representative of the classical music composed in the transition period from XVIIIth to XIXth centuries, Ludwig van Beethoven remains memorable in the history of music through the strength, audacity, and remarkable rhetoric of his musical discourse. …”
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Audience synchronies in live concerts illustrate the embodiment of music experience by Wolfgang Tschacher, Steven Greenwood, Sekhar Ramakrishnan, Martin Tröndle, Melanie Wald-Fuhrmann, Christoph Seibert, Christian Weining, Deborah Meier

“…Abstract A study of 132 audience members of three classical public concerts (all three staged the same chamber music pieces by Ludwig van Beethoven, Brett Dean, and Johannes Brahms) had the goal of analyzing the physiological and motor responses of audiences. …”
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