Ludwig van Beethoven

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Notas sobre nuevas tecnologías ( Ludwig van Beethoven a 64 Kbytes) by Angélica-Sara Zapatero Louriño

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EXAMINATIONS ON LUDWIG VAN BEETHOVEN’S TRIO, OP. 11 AND SUGGESTIONS FOR CLARINET PLAYERS by İlkay Ak

“…This study examines the Trio, Op. 11 for clarinet, cello and piano in Bb Major by German composer Ludwig van Beethoven. It mainly focuses on the role of the clarinet within the ensemble and offers suggestions for improving performance technique and interpretation of the clarinet player, as well as togetherness of the ensemble. …”
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Arthur Schopenhauer e Ludwig van Beethoven: diálogos possíveis entre música e filosofia by Raimundo Rajobac

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THE NAME OF LUDWIG VAN BEETHOVEN AS THE PRECEDENT LEXICAL ITEM IN ANTHONY BURGESS’S NOVEL “A CLOCKWORK ORANGE” by L. V. Korobko

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A REVIEW OF THE USE OF BASSOON AND CONTRABASSOON IN LUDWIG VAN BEETHOVEN’S (op.125) NINTH SYMPHONY IN D MINOR by Hande Öztank Günalan

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«VIRTUOSI SENZA CUJONI!» TRA ITALIANO, LATINO E TEDESCO NELLE LETTERE DI LUDWIG VAN BEETHOVEN by Debora de Fazio

“…Italian, Latin and German in the letters of Ludwig van Beethoven The paper analyzes some expressions in Italian (not only of a musical nature) that appear in Ludwig van Beethoven’s correspondence. …”
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A PERFORMANCE INTERPRETATION OF THE VIENNESE CLASSICS BY THE EXAMPLE OF FANTASIA FOR PIANO, CHORUS AND ORCHESTRA IN C MINOR, OP. 80 BY LUDWIG VAN BEETHOVEN by Nataliya BYELIK-ZOLOTAROVA, Natalya ZOLOTARYOVA, Viacheslav BOIKO, Tetiana SUKHOMLINOVA, Olena ZAVERUKHA

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In memoriam Ludwig van Beethoven. Historia clínica y posibles diagnósticos del genio de la composición musical en el silencio by E. Kauffman-Ortega, M.A. Valdovinos-Díaz

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Kompozicije Ludwiga van Beethovna na koncertnih sporedih in v arhivu muzikalij ljubljanske Filharmonične družbe by Sara Železnik

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Neuprizorjena opera Melusina Emerika Berana by Jernej Weiss

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B for Beethoven by Terence Chorba

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Joyful, Joyful! The Musical Significance of Beethoven's Ninth by Allison N. Zieg

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»Eine halbe terra incognita«. Zur frühen Aufführungs- und Rezeptionsgeschichte der ›Diabelli-Variationen‹ by Markus Neuwirth

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Maxův cyklus Obrazových fantazií k hudebním skladbám by Aleš Filip

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Beethovens Selbstkritik. Zum Kompositionsprozeß des Klavierkonzerts B-Dur op. 19 by Rudolf Kotz

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Das Hörbar-Machen von zyklischen Potentialen in der musikalischen Interpretation. Eduard Steuermanns Live-Mitschnitt der ›Diabelli-Variationen‹ vom 13. Mai 1963 by Martin Zenck

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Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata by Ana Stefanovic

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Health and Growth of Black Pine outside Its Natural Distribution Range in the Romanian Carpathians by Gheorghe-Marian Tudoran, Avram Cicșa, Alexandru-Claudiu Dobre, Maria Cicșa, Ionuț-Silviu Pascu, Ştefan Leca

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Estimation of the Productivity Potential of Mountain Sites (Mixed Beech-Coniferous Stands) in the Romanian Carpathians by Avram Cicșa, Gheorghe-Marian Tudoran, Maria Boroeanu, Alexandru-Claudiu Dobre, Gheorghe Spârchez

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