Rethinking the Ornament with/in Luigi Nono’s Late Electroacoustic Works by Kevin Gohon

“…This paper aims at examining the manifestations of the ornamental phenomenon in the musical project that Luigi Nono developed in the last ten years of his life. …”
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Edmond Jabès y Luigi Nono: Découvrir la subversion by Francisco Deco

“…This article studies the relationship between Le Petit Livre de la subversion hors de soupçon de Edmond Jabes and the musi-cal piece Découvrir la subversion Hommage à Edmond Jabèsby Luigi Nono, on texts from the author's above-mentioned work. …”
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Remaking reality: Echoes, noise and modernist realism in Luigi Nono's Intolleranza 1960 by Boyd, H

Conflits armés, idéologie et technologie dans Für Paul Dessau de Luigi Nono by Luis Velasco-Pufleau

Subjects: “…Luigi Nono…”
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Dibattito critico e polemica politico-ideologica nella musica italiana del Novecento: Fedele d’Amico e Luigi Nono by Raffaele Pozzi

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The Collaborative Role of the Technician in ...sofferte onde serene... by Darren Miller

Subjects: “…Luigi Nono…”
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The speech choir in central European theatres and literary-musical works in the first third of the 20th century by Meyer-Kalkus Reinhart

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L’idéal qui donne sa lumière au silence : Antonio Gramsci et la culture musicale italienne de l’après-guerre by Pietro Milli

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« Faire communauté » dans l’écriture musicale by Kevin Gohon

“…Le style tardif de Luigi Nono tend, à la suite de cette démarche, à s’éloigner de l’articulation d’un discours musical pour offrir une expérience sonore de l’exigence communautaire.…”
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The Spatial Experience of Musical Sources: Two Case Studies by Elvira Di Bona

“…In this essay, I will expand the application of a model for the spatial experience of sound sources to the experience of listening to the musical sound sources of two musical compositions by the Italian composer Luigi Nono. In order to do that, I will briefly summarize how we experience sound sources` spatial properties in the case of environmental sounds; I will then mention the different kinds of physical space which we might be able to hear in the case of musical listening, and I will finally analyze Luigi Nono’s “Hay Que Caminar” Soñando (1989) for two violins and La Lontananza Nostalgica Utopica Futura (1988) for solo violin and 8-track tape to show how the model of the experience of environmental sound sources applies also to these musical cases.…”
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Pour une réception dynamique. Théories et œuvres du XXe siècle by Karine Saroh

“…Through the analysis of the dynamism theory established by Luigi Nono in his musical theatre, this study tries to recognize the aesthetic potential of a “dynamic reception” that aims at making place for a political spectator.…”
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War and memory: Nono, Penderecki, Britten by Manuel Pacheco Sánchez

“…We will study three pieces of work produced shortly after the event itself, but whose authors space and aesthetics are far removed: Luigi Nono’s Il canto sospeso (1955-56), Krzysztof Penderecki’s Threnody for the Victims of Hiroshima (1959), and Benjamin Britten’s War Requiem (1961-62), which we will approach from the perspective of memory, the relationship between text and music, and its musical parameters.…”
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Don Perlimplín en Venecia: Nono y Maderna by Soria Olmedo, Andrés

“… The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione. …”
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O impacto dos sintetizadores no processo composicional by Felipe de Almeida Ribeiro

“…A pesquisa tem como base os relatos de Robert Moog (apud KETTLEWELL, 2002), Donald Buchla e Miller Puckette (apud CHADABE, 1997), assim como os estudos de Peter Manning (2013) e Joel Chadabe (1997), e as obras de Karlheinz Stockhausen, Luigi Nono, Morton Subotnick e Philip Manoury. Tem como principal objetivo refletir sobre o papel do compositor de hoje e os desdobramentos poéticos na prática de música eletroacústica.…”
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Técnica estendida para flauta transversal e criatividade transformacional by Marta Cardoso Castello Branco, João Queiroz

“…In Toru Takemitsu’s Voice (1971), extended technique was developed from vocal parameters related to speech, whereas in Luigi Nono’s Das atmende Klarsein (1981), the flute piece is transformed by an electronic apparatus. …”
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Das imagens à criação de formas sonoras – Uma possível epistemologia dos processos de análise e composição com suporte computacional by Danilo Rossetti

“…Apresentamos dois patches para análise e processamento sonoro e realizamos um estudo sobre a aplicação dos conceitos acima mencionados na descrição dos processos interativos em duas peças eletroacústicas mistas: Anthèmes 2, de Pierre Boulez, e A Pierre: Dell’azzurro silenzio, inquietum, de Luigi Nono. Analisamos a interação entre escrita e performance instrumental, dispositivos de análise e transformação sonora, e a sonoridade emergente desse processo. …”
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Quarto Duplo (Chambre Double) by Michelle Agnes Magalhães

“…A pesquisa de doutorado sobre Luigi Nono (USP) me ajudou a entrar em contato com a forma de abordagem intuitiva e baseada no som do compositor italiano, que também seria tão importante no meu trabalho. …”
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The art of composing: between autonomy and heteronomy by Cristina Frosini

“…It was in the 1960s that Luigi Nono brought music into workrooms and factories. …”
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