Occult Influences on Luigi Capuana and Luigi Pirandello by Mauro Ruggiero

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José Carlos Mariátegui lector de Luigi Pirandello by Karin Chirinos

“…Sin embargo fue el dramaturgo siciliano Luigi Pirandello quien llamó su atención al punto de ocuparse de él en dos escritos: El caso Pirandello (Variedades, marzo de 1926) y en El ‘freudismo’ en la literatura contemporánea (Variedades, agosto de 1926). …”
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Alemany, Josep (ed.) (2013). Luigi Pirandello «L’humorisme» by Francesco Ardolino

“…Alemany, Josep (ed.) (2013). Luigi Pirandello L’humorisme…”
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Artificial and Live Actors in Luigi Pirandello’s Play Giants of the Mountain by Alexandra M. Bibikova

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Violence against reason and the mind in Luigi Pirandello’s fantastic fiction by Reza, M

The Platonic Meta-Imports in Luigi Pirandello's Six Characters in Search of an Author by Zainab Hasoon Abd Al-Ameer

“…The aim of this paper is to approach Luigi Pirandello's work which is replete with the above Platonic philosophical and dramatic meta-imports. …”
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Frammenti di tempo e spazio in alcuni personaggi di Luigi Pirandello by Michele Sità

“…In twentieth century Italian literature, the conception of time goes towards subjectivity and gradually goes away from the chronological order of the events. Luigi Pirandello's work illustrates the fragmenting of time and the upsetting of the conception of space. …”
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A Parallel between the Physicians Portrayed in Luigi Pirandello’s Novels and Contemporary Brazilian Physicians by Marina Barguil Macedo, Plínio da Silva Macêdo

“…The characters within Luigi Pirandello’s novels portray real people whose topicality is undeniable. …”
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"Of madness and sagacity:" An intercultural dialogue between masks in Luigi Pirandello‘s and Penina Muhando’s plays (Part 1) by Cristina Nicolini

“…Therefore, in searching for connections between Luigi Pirandello’s and Penina Muhando’s plays, this paper will explore multiple masks engaged in a reciprocal dialogue among the following six selected plays: Enrico IV (‘Henry IV,’ Pirandello 1921); Così è, Se vi pare (‘It is so, if you think so!’ …”
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La (dé)structuration dramatique dans Six personnages en quête d’auteur de Luigi Pirandello by Vassiriki KONÉ

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Storia della traslatio del corpus Pirandelliano in Brasile by Sandra Dugo

Subjects: “…Luigi Pirandello…”
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PIRANDELLO CONTEMPORÂNEO: UM ESTUDO PARA ANÁLISE DA DRAMATURGIA PIRANDELLIANA A PARTIR DA CENA by Martha Ribeiro

Subjects: “…Luigi Pirandello…”
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The editio princeps of Luigi Pirandello’s translation of Goethe’s Roman Elegies (Giusti, 1896): Pirandello and Ugo Fleres ‘translators’ and friends by Marta Fumi

“…L’articolo presenta l’editio princeps della traduzione di Luigi Pirandello delle Elegie romane di Goethe (Livorno, Giusti 1896), ricostruendo le difficoltà legate alla pubblicazione, illustrando le caratteristiche dell’edizione, il ruolo di Ugo Fleres in quanto illustratore e la ricezione presso i contemporanei dell’edizione illustrata; si sofferma infine sulla riflessione pirandelliana contenuta nel saggio Illustratori, attori e traduttori (1908) per evidenziare che Pirandello considerasse l’opera di illustrare un’edizione una “forma del tradurre” e che quindi il ruolo dell’illustratore Fleres non sia stato meramente accessorio.…”
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Il caso-Sicilia nel romanzo storico-sociale I vecchi e i giovani di Luigi Pirandello by Cezary Bronowski

“…The author’s intention is to present the “Sicily case” in Luigi Pirandello’s socio-historical novel The Old and the Young (1913). …”
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Au milieu de l’appareil cinématographique : Notes de Serafino Gubbio, opérateur (1925) de Luigi Pirandello by Beate Ochsner

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SEIS PERCEPCIONES EN BUSCA DE UN YO: TEATRO Y SUBJETIVIDAD EN DAVID HUME Y LUIGI PIRANDELLO by Germán Osvaldo Prósperi

“… En este artículo nos proponemos mostrar, por un lado, que resulta factible (y esclarecedor) explicar el capítulo “Of personal identity” del Treatise of Human Nature de David Hume a partir de la obra Sei personaggi in cerca d’autore de Luigi Pirandello, así como esta última obra a partir del texto de Hume; y, por otro lado, que tomando como eje la comparación de la mente con el teatro que propone Hume en dicho capítulo es también posible individuar, según el modo en el que se piensa la relación del pensamiento y la experiencia con el sujeto, dos grandes corrientes en la filosofía moderna: una que podríamos denominar teatro de Autor y otra teatro sin Autor. …”
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L’altro è lo stesso? Una lettura postfreudiana del "Figlio cambiato" di Luigi Pirandello (pp. 58-69) by Emanuele Zinato

Subjects: “…Luigi Pirandello…”
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From Xáos to Kaos by Nourit Melcer-Padon

Subjects: “…Luigi Pirandello…”
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Tra narrativa e cronaca by Loredana Palma

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The Idea of Modernity in Italian Literature at the Turn of the 19th and 20th Centuries by Anastasia V. Golubtsova

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