Lysimache and Lysistrata by Thonemann, P

“…It has long been suspected that the eponymous heroine of Aristophanes’ Lysistrata was intended to evoke the historical Lysimache, priestess of Athena Polias at the time of the play’s first production. …”

Courtesans Reconsidered: Women in Aristophanes’ Lysistrata by Laura McClure

“… This essay provides a reassessment of the view that the young wives of Aristophanes’ Lysistrata are modeled on hetaeras. It begins by examining a parallel debate in contemporary Attic red-figure vase paintings of women at home to show that displays of female sexuality are not incompatible with marriageable maidens and free citizen wives. …”
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Two Observations on Aristophanes’ <i>Lysistrata</i> by Nigel Wilson

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Four plays by Aristophanes : the clouds, the birds, Lysistrata, the frogs / by 300085 Aristophanes, Arrowsmith, William, 1924-, Lattimore, Richmond Alexander, 1906-, Parker, Douglass

The Manipulation of Theme and Action in Aristophanes’ <i>Lysistrata</i> by John Vaio

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State Violence and Weaving: implications of Aristophanes’ Lysistrata for Plato’s Statesman by Marina Marren

Subjects: “…Lysistrata…”
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Sex Strike in Aristophanes’ Lysistrata, J.P Clark’s Wives’ Revolt and Julie Okoh’s Edewede by Bosede Funke Afolayan (Ph.D.)

“…Thus, the paper interrogates female dynamism and bonding and the nature of their protest in Aristophanes’ Lysistrata, J. P. Clark’s Wives’ Revolt and Julie Okoh’s Edewede. …”
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Le public féminin du théâtre grec. A propos de la Lysistrata d’Aristophane by Angela Maria Andrisano

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Representaciones discursivas antipatriarcales en la literatura el matriarcado como forma alternativa de ejercicio del poder by Maravillas Moreno Amor, José Miguel Rojo Martínez

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Aristophanes: Lysistrata (J.) Robson, Pp. xiv + 184 ills. London: Bloomsbury Academic, 2023. Paper, £17.99. ISBN: 978-1-350-09030-9 by Chloë Barnett

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XXX_LIVE_NUDE_GIRLS!!! by Jennifer Walshe

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Aristophane révolutionnaire ? by Charalampos Orfanos

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Las guerras de las mujeres en la guerra :[homenaje a la teórica deminista Victoria Sau] by Lourdes Pérez González

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Eros e paz nas comédias de Aristófanes by Ana Maria César Pompeu

“…Peace brings the goddess Opora (Autumnal or Harvest), with whom the protagonist marries, and the goddess Theoria (Feast), which is given to prytanes in the theater itself. In Lysistrata, in 411 BC, the women of Greece under the leadership of the Athenian Lysistrata make a sex strike to force their husbands to end up the war. …”
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Osservazioni sul prologo della Lisistrata by Favi, F

“…The aim of this paper is to suggest a new reconstruction for the stage-movements in the prologue to Lysistrata. Differently from what is generally believed, it is very unlikely that a group of non-Athenian women accompanying Lampitò, the Boeotian, and the Corinthian enters the orchestra following two other groups of Athenian women, which in turn form the chorus. …”

Les « sauvageonnes » d’Athènes. Les classes d’âge féminines chez Aristophane by Malika Bastin-Hammou

“…Married women are divided into two opposed groups, the newly married/new wives and the rest, the latter being involved in political reflection and action, in Lysistrata and in The Assemblywomen. This category reproduces the generational conflict which opposes ephebes to adult men. …”
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American Communist Idealism in George Cram Cook’s The Athenian Women (1918) by Edith Hall

“… The Athenian Women, written by the American George Cram Cook with input from Susan Glaspell, is a serious, substantial play drawing chiefly on Lysistrata and Thesmophoriazusae. It premiered on March 1st 1918 with the Provincetown Players. …”
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Graikų dialektai senojoje atikinėje komedijoje | The Greek Dialects in Old Attic Comedy by Audronė Kudulytė-Kairienė

“…Many dialectal forms in comedies contain comicality, irony, parody, intertextuality or are paratragic and might be bor­rowed from a tragedy, lyric or epos. In the comedies Lysistrata and Acharnians, Aristophanes reproduces Laconian, Megarian, and Boiotian speeches. …”
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Off-stage groups in Attic drama by Hardwick, A

“…Finally, Chapter 6 argues that groups of women in Bacchae, Hecuba, Thesmophoriazusae and Lysistrata are designed to resist straightforward categorisation.…”

Comic leadership and power dynamics in Aristophanes by Tsoumpra, N

“…</p> <p>In the first chapter (<em>Lysistrata</em>) I focus on the relationship of the female leadership with religious rituals and medical pathology, and I show that the power of women lies in their important biological role and their ability to conceive and (re)produce life in the context of marriage.…”