Using Polarized Spectroscopy to Investigate Order in Thin-Films of Ionic Self-Assembled Materials Based on Azo-Dyes by Miguel R. Carro-Temboury Martin Kühnel, Mariam Ahmad, Frederik Andersen, Ári Brend Bech, H. Krestian L. Bendixen, Patrick R. Nawrocki, Anders J. Bloch, Ilkay Bora, Tahreem A. Bukhari, Nicolai V. Bærentsen, Jens Carstensen, Smeeah Chima, Helene Colberg, Rasmus T. Dahm, Joshua A. Daniels, Nermin Dinckan, Mohamed El Idrissi, Ricci Erlandsen, Marc Førster, Yasmin Ghauri, Mikkel Gold, Andreas Hansen, Kenn Hansen, Mathias Helmsøe-Zinck, Mathias Henriksen, Sophus V. Hoffmann, Louise O. H. Hyllested, Casper Jensen, Amalie S. Kallenbach, Kirandip Kaur, Suheb R. Khan, Emil T. S. Kjær, Bjørn Kristiansen, Sylvester Langvad, Philip M. Lund, Chastine F. Munk, Theis Møller, Ola M. Z. Nehme, Mathilde Rove Nejrup, Louise Nexø, Simon Skødt Holm Nielsen, Nicolai Niemeier, Lasse V. Nikolajsen, Peter C. T. Nøhr, Dominik B. Orlowski, Marc Overgaard, Jacob Skaarup Ovesen, Lucas Paustian, Adam S. Pedersen, Mathias K. Petersen, Camilla M. Poulsen, Louis Praeger-Jahnsen, L. Sonia Qureshi, Nicolai Ree, Louise S. Schiermacher, Martin B. Simris, Gorm Smith, Heidi N. Smith, Alexander K. Sonne, Marko R. Zenulovic, Alma Winther Sørensen, Karina Sørensen, Emil Vogt, Andreas Væring, Jonas Westermann, Sevin B. Özcan, Thomas Just Sørensen

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Stranger than Fiction: Métalepse de Genette et quelques univers filmiques contemporains by Alain Boillat

“…Finally, the paper dis- cusses some problems concerning Genette’s idea of “diegesis” when it is applied to cinema and analyses the transgression of narrative levels in a voice-over film – in this case Stranger than Fiction (Marc Forster, 2006), which provides a particularly interesting example in order to test some of Genette’s remarks. …”
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Ay’a Seyahat’ten Dünya Savaşı Z’ye: Bilim Kurgu Filmlerinde Vahşi’nin Yüzyıllık İnşası by Yusuf Ziya Gökçek

“…Örneklem olarak seçilen, aralarında yüzyılı aşkın bir zaman bulunan Le Voyage dans la Lune (Aya Yolculuk, Georges Méliès, 1902) ve World War Z (Dünya Savaşı Z, Marc Forster, 2013) filmleri vahşi imgesini üretmektedir. …”
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The Icon of the Zombie Mob by Jørgen Riber Christensen

“…The research question of the article is: In the film World War Z (Marc Forster, 2013) not only the iconology of the zombie has changed, also its iconography is new. …”
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‘Creatures in our bed’: Pandemics, posthumanism and predatory nature in World War Z (2013) by Samiksha Laltha

“…This article provided a literary analysis of the film text World War Z (2013, dir. Marc Forster) with a specific focus on the pandemic depicted in the film and its relationship to the coronavirus disease 2019 (COVID-19) pandemic. …”
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