“What a Splendid World We Ruined”: the Precarious Presents and Posthuman Futures of Margaret Atwood’s Oryx and Crake and Dmitry Glukhovsky’s Metro 2033 by Marta Korbel

“…This paper conducts a comparative analysis of two novels which describe a postapocalyptic world after a deadly plague and a nuclear conflict, respectively: Margaret Atwood’s Oryx and Crake (2004 [2003]) and Dmitry Glukhovsky’s Metro 2033 (2010 [2005]). …”
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<i> The Handmaid’s Tale </i> e <i> The Heart Goes Last </i> di Margaret Atwood. Due città distopiche a confronto by Barbara Miceli

“…Il saggio è l’analisi di due romanzi di Margaret Atwood ambientati in due città/società con un funzionamento apparentemente perfetto che le rende sicure, pulite, prive di crimine e disciplinate. …”
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“Completion of a Circle”: Female Process of Self-Realization and Individuation in Margaret Atwood’s The Robber Bride and “I Dream of Zenia with the Bright Red Teeth” by Manuela López Ramírez

Subjects: “…Margaret Atwood…”
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“Myth is more instructive than history”: (Re)constructions of Biblical Myths in Margaret Atwood’s The Handmaid’s Tale and Angela Carter’s The Passion of New Eve by Katarína Labudová

Subjects: “…Margaret Atwood…”
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A Bakhtinian Investigation of the Gendered Space as a Dystopian Chronotope in Atwood’s The Year of the Flood (2009) by Djihad Selt Afaf, Fatiha Kaid Berrahal

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„They say we messed it up. Killing the planet with our own greed“ : Alternswissenschaftliche Überlegungen zu einem generationengerechten Klimadiskurs in Margaret Atwoods „Torching the Dusties“ by Kainradl, Anna-Christina ; Kriebernegg, Ulla

“…Ausgehend von Margaret Atwoods Kurzgeschichte „Torching the Dusties“ widmet sich der Beitrag den Wechselwirkungen zwischen diskursiven Formationen des Klimawandels und des Alters. …”
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Confinadas em si mesmas: a morte social e o isolamento do sujeito em O conto da aia, de Margaret Atwood by Jade Bueno Arbo, Eduardo Marks de Marques

“…Em O Conto da Aia, de Margaret Atwood, a República de Gilead submete suas mulheres ainda férteis a uma série de atos que resultam em uma condição particular de morte em vida, uma condição a qual podemos chamar de morte social. …”
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A brave new language of The "Handmaid's tale": Analysis and equivalence of neologisms in translation into Serbian by Beširović Nejira

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“When I’m 73 and in Constant Good Tumour”: Poetic Responses to Ageing from Jenny Joseph to Fleur Adcock by Lorenz Hindrichsen

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Killing Joy in Ustopian Gilead: Girlhood and Subversion in The Handmaid’s Tale “Media Franchise” by Sara Tabuyo-Santaclara

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A escrita de si em The Handmaid’s Tale, de Margaret Atwood: limites e possibilidades na relação entre narrativas ficcionais e a ciência histórica by Isabela Parucker

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Ciencia, sexo y reproducción humana en dos distopías: "Un mundo feliz" de Aldous Huxley y "El cuento de la criada" de Margaret Atwood by Luis Alfredo Ortiz

“…<p>Las actitudes del estado ante el sexo, la concepción, el nacimiento y las ciencias biológica y médica en dos novelas distópicas, Un mundo feliz (Brave New World), de Aldous Huxley y El cuento de la criada (The Handmaid's Tale), de Margaret Atwood, plantean importantes cuestiones acerca del papel de la ciencia en la estabilidad política y demográfica de los regimenes creados en ambas ficciones. …”
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Interview with Felipe José Lindoso by Raphael Marco Oliveira Carneiro, Ariel Novodvorski

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Machine Translated Atwood: Utopia or Dystopia? by Tjaša Mohar, Sara Orthaber, Tomaž Onič

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Women and Women: Use of Women Types as Rhetorical Techniques in Atwood’s Handmaid’s Tale and Tepper’s Gate to Women’s Country. by William Bowman

Subjects: “…margaret atwood…”
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From Episodic Novel to Serial TV: The Handmaid’s Tale, Adaptation and Politics by Gerrits Jeroen

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Corpus de référence :The Blind Assassin. Seal Books : 2000. The bridge. pp. 3-5. by Margaret Atwood

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“The Play’s the Thing”: Re-imagining Shakespeare’s The Tempest in Forbidden Planet, Prospero’s Books and Hag-Seed by Estella Ciobanu

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An Exploration of Canadian Identity in Recent Literary Narratives of the Franklin Expeditions by Victor Kennedy

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Settler literature and the Booker Prize: transnational literatures and metropolitan reception, 1985-2000 by McLean, T

“…Meanwhile literature for export, such as Margaret Atwood’s The Blind Assassin, instead responds to mimetic readings — such as in the context of the Booker — that establish a unitary and exotic Canadian identity for metropolitan readers. …”