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“What a Splendid World We Ruined”: the Precarious Presents and Posthuman Futures of Margaret Atwood’s Oryx and Crake and Dmitry Glukhovsky’s Metro 2033
Published 2023-08-01“…This paper conducts a comparative analysis of two novels which describe a postapocalyptic world after a deadly plague and a nuclear conflict, respectively: Margaret Atwood’s Oryx and Crake (2004 [2003]) and Dmitry Glukhovsky’s Metro 2033 (2010 [2005]). …”
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102
<i> The Handmaid’s Tale </i> e <i> The Heart Goes Last </i> di Margaret Atwood. Due città distopiche a confronto
Published 2018-01-01“…Il saggio è l’analisi di due romanzi di Margaret Atwood ambientati in due città/società con un funzionamento apparentemente perfetto che le rende sicure, pulite, prive di crimine e disciplinate. …”
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103
“Completion of a Circle”: Female Process of Self-Realization and Individuation in Margaret Atwood’s The Robber Bride and “I Dream of Zenia with the Bright Red Teeth”
Published 2022-11-01Subjects: “…Margaret Atwood…”
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104
“Myth is more instructive than history”: (Re)constructions of Biblical Myths in Margaret Atwood’s The Handmaid’s Tale and Angela Carter’s The Passion of New Eve
Published 2010-12-01Subjects: “…Margaret Atwood…”
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105
A Bakhtinian Investigation of the Gendered Space as a Dystopian Chronotope in Atwood’s The Year of the Flood (2009)
Published 2021-12-01Subjects: Get full text
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106
„They say we messed it up. Killing the planet with our own greed“ : Alternswissenschaftliche Überlegungen zu einem generationengerechten Klimadiskurs in Margaret Atwoods „Torching the Dusties“
Published 2020-05-01“…Ausgehend von Margaret Atwoods Kurzgeschichte „Torching the Dusties“ widmet sich der Beitrag den Wechselwirkungen zwischen diskursiven Formationen des Klimawandels und des Alters. …”
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107
Confinadas em si mesmas: a morte social e o isolamento do sujeito em O conto da aia, de Margaret Atwood
Published 2019-11-01“…Em O Conto da Aia, de Margaret Atwood, a República de Gilead submete suas mulheres ainda férteis a uma série de atos que resultam em uma condição particular de morte em vida, uma condição a qual podemos chamar de morte social. …”
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108
A brave new language of The "Handmaid's tale": Analysis and equivalence of neologisms in translation into Serbian
Published 2022-01-01Subjects: Get full text
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109
“When I’m 73 and in Constant Good Tumour”: Poetic Responses to Ageing from Jenny Joseph to Fleur Adcock
Published 2023-12-01Subjects: Get full text
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110
Killing Joy in Ustopian Gilead: Girlhood and Subversion in The Handmaid’s Tale “Media Franchise”
Published 2024-02-01Subjects: Get full text
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Ciencia, sexo y reproducción humana en dos distopías: "Un mundo feliz" de Aldous Huxley y "El cuento de la criada" de Margaret Atwood
Published 2011-12-01“…<p>Las actitudes del estado ante el sexo, la concepción, el nacimiento y las ciencias biológica y médica en dos novelas distópicas, Un mundo feliz (Brave New World), de Aldous Huxley y El cuento de la criada (The Handmaid's Tale), de Margaret Atwood, plantean importantes cuestiones acerca del papel de la ciencia en la estabilidad política y demográfica de los regimenes creados en ambas ficciones. …”
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Women and Women: Use of Women Types as Rhetorical Techniques in Atwood’s Handmaid’s Tale and Tepper’s Gate to Women’s Country.
Published 2014-12-01Subjects: “…margaret atwood…”
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From Episodic Novel to Serial TV: The Handmaid’s Tale, Adaptation and Politics
Published 2021-12-01Subjects: Get full text
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“The Play’s the Thing”: Re-imagining Shakespeare’s The Tempest in Forbidden Planet, Prospero’s Books and Hag-Seed
Published 2021-12-01Subjects: Get full text
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119
An Exploration of Canadian Identity in Recent Literary Narratives of the Franklin Expeditions
Published 2006-06-01Subjects: Get full text
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Settler literature and the Booker Prize: transnational literatures and metropolitan reception, 1985-2000
Published 2022“…Meanwhile literature for export, such as Margaret Atwood’s The Blind Assassin, instead responds to mimetic readings — such as in the context of the Booker — that establish a unitary and exotic Canadian identity for metropolitan readers. …”
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