Proposte di lettura by Michela Volante, Roberta Troiano

“…Gli illuminanti “mondi ulteriori” nell’opera in prosa di Margaret Atwood    di Michela Volante Scritture di donne fra letteratura e giornalismo: undici anni dopo    di Roberta Troiano…”
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Senses of the Ending by Caterina Diotto

“…Considering three novels from Mary Shelley, Margaret Atwood and Ursula K. Le Guin, it explores the possibilities and contradictions in «worlding» literary counter-narratives in relation to the hegemonic representation of the apocalypse during capitalist realism. …”
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Gênero, Identidade, Diferença by Sandra Regina Goulart Almeida

“…Em seguida, analisa textos jornalísticos e ficcionais que abordam essa temática, em especial a escrita de Margaret Atwood.…”
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Discutindo o outro: a literatura gótica e alteridade do corpo by Camila Mello

“…Este artigo traz um diálogo teórico sobreo conflito entre eu e outro, e uma análise da alteridade do corpo nogótico contemporâneo, através do romance Lady Oracle, de MargaretAtwood.…”
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Lady Oracle: la mascarada gótica by Marina Fe Pastor

“…En este ensayo se propone que la ironía y la parodia, características de la escritura de Margaret Atwood, son estrategias narrativas que hacen posible la desconstrucción de las novelas góticas populares (costume gothics) en su propia novela gótica Lady Oracle. …”
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« This Woman’s Work » : de la comédie romantique aux déclinaisons dystopiques by Lucie Dumas

“…Later included in the album The Sensual World, the song was notably used in the TV show The Handmaid’s Tale, adapted from Margaret Atwood’s novel and in the feminist sci-fi show Le Parasite, performed on April 15, 2022 at the Université Jean Jaurès. …”
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Book Review: MIHAELA MUDURE, “ALTE LECTURI CANADIENE / OTHER CANADIAN READINGS”. CLUJ-NAPOCA: CASA CĂRȚII DE ȘTIINȚĂ, 2020, 195 P. by Octavian MORE

“…And yet, on the literary stage, Canadian voices have been an integral part of a more convincing narrative, as demonstrated by the internationally-acclaimed names of Margaret Atwood, Alice Munro or Michael Ondaatje, to mention but a few. …”
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Book Review: MIHAELA MUDURE, “ALTE LECTURI CANADIENE / OTHER CANADIAN READINGS”. CLUJ-NAPOCA: CASA CĂRȚII DE ȘTIINȚĂ, 2020, 195 P. by Octavian MORE

“…And yet, on the literary stage, Canadian voices have been an integral part of a more convincing narrative, as demonstrated by the internationally-acclaimed names of Margaret Atwood, Alice Munro or Michael Ondaatje, to mention but a few. …”
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The Anthropocene: a new frame of studies and its limits by Ana Carolina Lins Peliz

“…She uses the trilogy of the Canadian writer Margaret Atwood, MaddAddam, as an example of her central idea. …”
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Entre sussurros e silêncios: o jogo da linguagem em The Handmaid’s Tale by Juliene Kely Zanardi

“… O presente artigo tem como objetivo analisar a importância da linguagem nas disputas de poder travadas no universo do romance The Handmaid’s Tale (1985), de Margaret Atwood. Considerando o caráter crítico da narrativa distópica, pretende-se demonstrar, a partir de teóricos como Bakhtin (2009) e Foucault (2003, 2014), como as estratégias de controle do discurso empregadas pelos governantes de Gilead, assim como os atos de resistência empreendidos pela protagonista por meio da linguagem, refletem as próprias relações de poder existentes. …”
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Negotiating progress and happiness in brave new world and the handmaid's tale. by Yuen, Melissa Si Wei.

“…This will be examined in relation to Aldous Huxley’s Brave New World, and Margaret Atwood’s The Handmaid’s Tale.…”
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El sujeto que no migra: Penélope toma la palabra by Rosario López Gregoris

“…Se trata de la obra de Margaret Atwood, Penélope y las doce criadas, y la obra de la gallega Begoña Caamaño, Circe o el placer del azul, novelas con finalidad subversiva, narradas desde una posición femenina o incluso feminista, que cuestionan la verdad del relato homérico. …”
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VPS, Goodthink, Unwomen and Demoxie: Morphological Neologisms in Four Dystopian Novels by Paula López-Rúa

“… In this paper I analyse the neologisms used in four dystopian novels –Aldous Huxley’s Brave New World (1932), George Orwell’s Nineteen Eighty-Four (1949), Margaret Atwood’s The Handmaid’s Tale (1985) and Dave Eggers’s The Circle (2013)– from a morphological point of view. …”
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A Foucauldian Response to Gayatri Chakravorty Spivak by Banu Akcesme, Özlem Sayar

“…This paper intends to analyse how Penelope in Margaret Atwood’s The Penelopiad deconstructs The Odyssey with specific references to Gayatri C. …”
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Poetry for Students. Presenting Analysis, Context and Criticism on Commonly Studied Poetry / by Ruby, Mary K., editor 652226, Gale Group (Online service) 651863

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Composing the Handmaid: From Graphic Novel to Protest Icon by Johanna Commins

“…This article takes as its starting point Renee Nault’s recent adaptation of Margaret Atwood's 1985 novel The Handmaid’s Tale into comics form and asks, how is the handmaid composed? …”
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Authenticity and Atwood’s ‘Scientific Turn’ by Myles Chilton

“…Margaret Atwood’s science/speculative dystopian MaddAddam trilogy—<i>Oryx and Crake</i> (2003), <i>The Year of the Flood</i> (2009), and <i>MaddAddam</i> (2013)—opens up questions about how genre-mixing indexes and probes interrelated notions of authenticity. …”
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Navigating the Antiheroine’s Internalised Misogyny: Transformative Female Friendship in Cat’s Eye and The Robber Bride by Eleanore Gardner

“…This paper focuses on Margaret Atwood’s novels, Cat’s Eye and The Robber Bride, as well as her short story “I Dream of Zenia with the Bright Red Teeth” in order to examine her complex construction of the elusive antiheroine, a figure who ultimately challenges the archetypal femme fatale, despite initially masquerading as the femme, villain, and antagonist of the text. …”
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Atwood’s Reinventions: So Many Atwoods by Coral Ann Howells

“… In The Malahat Review (1977), Canadian critic Robert Fulford described Margaret Atwood as “endlessly Protean,” predicting “There are many more Atwoods to come.” …”
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It’s All About the Body: Zombification and the Male Gaze in Oryx and Crake and Brown Girl in the Ring by José V. Alegría-Hernández

“…This article seeks to analyse the commodification of women of colour in two dystopian Canadian novels: Brown Girl in the Ring (1998), by Nalo Hopkinson, and Oryx and Crake (2003), by Margaret Atwood. I argue that the women in these stories are subjected to similar patriarchal strategies of control. …”
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