ENTREVISTA COM ADRIANA LISBOA by Amanda Mendes Casal

“…Sua carreira de tradutora compreende escritores como Cormac McCarthy, Marilynne Robinson, Margaret Atwood, Emile Faguet, Amós Oz e Maurice Blanchot.…”
Get full text

Recensioner by Matilda Amundsen Bergström, Eva Borgström, Katarina Gregersdotter, Christian Lenemark, Erik van Ooijen, Mats Jansson, Lisa Schmidt

“…(diss. lund) Katarina Gregersdotter om Marinette Grimbeek, Margaret Atwood’s Environmentalism. Apocalypse and Satire in the Maddaddam Trilogy Karlstad: Karlstad University Studies, 2017, 286 s. …”
Get full text

“As Canadian as possible under the circumstances": how girls grow up canadian in Margaret Awood’s The Robber Bride by Ellen McCarthy

“…Cet article explore comment Margaret Atwood, dans La Voleuse d’hommes (The Robber Bride, 1993), élargit l’éventail des possibilités existantes pour concevoir l’identité nationale anglo-canadienne. …”
Get full text

Navigating through time and space: deixis in Atwood’s “This is a photograph of me” by Velasco, Yvonne Pedria

“…This stylistics analysis of Margaret Atwood’s poem examines the persona as a paradoxical element whose interpretation was derived by applying the deictic shift theory. …”
Get full text

The Handmaid’s Tale: relações entre ficção e história by Daniel Puglia, Aline Gevezier Bonezi

“… RESUMO A premiada série de televisão The Handmaid´s Tale surgiu 32 anos após a publicação do renomado romance de mesmo nome da autora Margaret Atwood, em um contexto histórico de tensões com discursos extremistas e de ódio, cada vez menos velados e mais frequentes. …”
Get full text

I and we: Hannah Arendt, participatory plurality, and the literary scaffolding of collective intentionality by Morgan, B, Rokotnitz, N, Budelmann, F, Zahavi, D

“…The three literary provocations presented here—Callimachus’s “Hymn to Apollo,” Thomas Mann’s The Magic Mountain, and Margaret Atwood’s Alias Grace—all interrogate the situated interactions of “I’s” and “We’s” that instantiate the “participatory plurality” of the shared world.…”

Molecular Mimicry, Realism, and the Collective Memory of Pandemics. Narrative Strategies of COVID-19 Fiction by Birgit Däwes

“…My analysis of stories by David Mitchell, Liz Moore, Margaret Atwood, Charles Yu, and others traces various functions of unstable narration through multilayered realities, unreliability, intertextuality, and self-reflexiveness, ultimately uncovering what may be a literary analogy to mRNA vaccines. …”
Get full text

The Handmaid’s Tale (Visually) Retold by Oana Celia Gheorghiu, Michaela Praisler

“…Owing largely to the political situation in the United States, which seems to head, dangerously so, towards a dystopian Gilead, Margaret Atwood’s The Handmaid’s Tale gets, at the end of the 2010s, to be re-told by many voices: that of her original creator – by her writing a sequel, The Testaments (2019) –, but also those assumed in successful transmedial adaptations – the homonymous graphic novel authored by Renee Nault (2019) and the TV series that has taken Offred beyond her final step “into the darkness within, or else the light” (Atwood 2010: 307) into the second, third and fourth seasons. …”
Get full text

Mycelium Matter(s) – Fictionalizing Human–Mushroom Relations by Vishwaveda Joshi

“…Drawing inspiration from Sylvia Plath, Ursula K. Le Guin, Margaret Atwood, and using Erin Manning’s understanding of a5ect as having a feltness that we often experience as a becoming-with, in this case, a becoming-with nature, the speculative-fiction (SF) is written as a dialogue between fungi and human. …”
Get full text

Journey through nature and self: the melancholic narrator in Atwood's Surfacing by Sedehi, Kamelia Talebian, Wan Yahya, Wan Roselezam

“…It is the aim of this paper to discuss how Margaret Atwood's melancholic female subject in Surfacing goes on a quest-journey in the wilderness to deal with her sense of loss and regainsa new life. …”
Get full text

Crossing Swords while Crossing Boundaries: Teaching Translation through Intermedial Translation Slams by Katerina GOULETI, Vasiliki MISIOU

“…The project was part of an optional module on literary translation and subtitling where students had to translate and subtitle into Greek some extracts of Margaret Atwood’s The Handmaid’s Tale and the relevant screenplay. …”
Get full text

Storytelling as an act of subversion: Call for action in Hulu's TV series The Handmaid's Tale by Kaličanin Milena

“…The article focuses on the comparative analysis of Margaret Atwood's 1985 novel and Bruce Miller's (2017) TV adaptation of The Handmaid's Tale. …”
Get full text

O CONTO DA AIA: UMA LEITURA MULTIDISCIPLINAR by Eloísa Cecília Dias Martins, Elizeu Pinheiro da Cruz, Sidnay Fernandes dos Santos

“… Este texto apresenta uma análise do romance O Conto da Aia, Margaret Atwood, e a sua versão cinematográfica no formato de série como possibilidade de reflexão multidisciplinar de questões como relações de gênero, parentesco e a dicotomia natureza-cultura para refletir sobre os contextos políticos brasileiro e estadunidense contemporâneos. …”
Get full text

Edibles and Other Offerings to Readers: The Politics of Gender and Food in Narrative Fiction by Colăcel Onoriu

“…From the perspective of an apparently absent author, the rhetorical commonplaces of womanhood and nourishment are mentioned in the novels of Margaret Atwood, The Edible Woman (1969), and of Jillian Medoff, Hunger Point (2002). …”
Get full text

Colonial Empires of the East and the Eest: Images of the <i>Other</i>, from Tacito to David Malouf, from Salman Rushdie to Michael Ondaatje by Elvira Gòdono

“…Multiple citations expand the original object of research, adding the colonial prophecy present in North American myths, as demonstrated by Margaret Atwood, Margaret Laurence or Lévi-Strauss. Incessantly moving from one space to another, authors give voice to the native cry from multiple perspectives, narrating – like all colonial empires founded on human cruelty– the beast’s nature that has shown its worst aspect.…”
Get full text

Portfolio of compositions and critical writing by Garrard, C

“…The largest piece is a chamber opera setting Margaret Atwood's novel, <em>The Handmaid's Tale</em>, which has been flexibly scored as a series of fragments in order to reflect the quality of her text. …”

Necropolítica, patriarcado e o valor da vida humana nas distopias by Alice de Araujo Nascimento Pereira

“… Nas narrativas distópicas The handmaid’s tale de Margaret Atwood, e em The children of men de P.D. James há um desprezo pela vida daqueles que transgridam as regras draconianas dentro daquele contexto autoritário e catastrófico. …”
Get full text

The monstrous vegan: reading veganism in literature, 1818 to present by Quinn, E

“…I focus on the iteration of a trope which I define as “the monstrous vegan” across two hundred years of Anglophone literature, including the work of Mary Shelley, H. G. Wells, Margaret Atwood, J. M. Coetzee, and Alan Hollinghurst. …”

Climate Change: An Apocalypse for Urban Space? An Ecocritical Reading of “Venice Drowned” and “The Tamarisk Hunter” by Özlem Akyol

“…As encapsulated by eco-conscious author Margaret Atwood, climate change has an unprecedented effect on human life. …”
Get full text

“Gilead is within you”: a theocratic narrative setting of cultural memory in Atwood’s The Testaments [version 1; peer review: 1 approved, 2 approved with reservations] by Palak Arora, Manshi Yadav

“…This article attempts to explore the synthetic relationship between group identities and their effects on cultural memory in Margaret Atwood's The Testaments. It will investigate how Atwood's dystopian fiction conspicuously weaves threads of cultural identity in the totalitarian society. …”
Get full text