Philosophy and the Fight for Freedom by Aaron J. Wendland

“…Keynotes at the conference were delivered by world-renowned author, Margaret Atwood, one of the most celebrated scholars of Ukrainian history, Timothy Snyder, and two of Ukraine’s preeminent public intellectuals, Mychailo Wynnyckyj and Volodymyr Yermolenko. …”
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Penelope differently: feminist re-visions of myth by Reuter, V

“…</p> <p>The writers discussed in this thesis, namely, Francisca Aguirre, Katerina Anghelaki-Rooke, Gail Holst-Warhaft, and Margaret Atwood, not only rewrite Penelope, but perform Re-visions of the myth. …”

Violence and dystopia by Cojocaru, D, Cojocaru Daniel

“…The fifth chapter examines the post-apocalyptic environments resulting from failed scapegoat expulsion and mimetic conflict out of control, as portrayed in Sinclair’s <em>Radon Daughters</em> (1994), Margaret Atwood’s <em>The Handmaid’s Tale</em> (1985) and <em>Oryx and Crake</em> (2003) and Will Self’s <em>The Book of Dave</em> (2006). …”

A Web of Words: Forging Writer-Researcher Alliances in the Canadian Writing Research Collaboratory by Susan Brown, Aritha Van Herk

“…</p><p>Moving through Lorraine York, Margaret Atwood, Daphne Marlatt, Betsy Warland and Nicole Brossard via Susanne de Lotbinière-Harwood, this essay explores the dimensions of connection at a time when the digital has opened a wonderfully generative space that nevertheless does not privilege women’s voices or discoveries. …”
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Mobilité des féminins dans quelques récits dystopiques franco-québécois et anglo-canadiens: indice d’agentivité ? by Nicole Côté

“…Les œuvres anglo-canadiennes étudiées (<em>Oryx and Crake</em>, <em>Year of the Flood </em>(Margaret Atwood), <em>Brown Girl in the Ring </em>(Nalo Hopkinson), <em>Ossuaries</em> (Dionne Brand) présentent des parcours féminins très contrastés dans chacun des cas : le passage de la quasi-immobilité à la mobilité est forcé par un événement perturbateur. …”
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A Comparative Study of the Components of Dystopian Literature in the Novels “Terrible Tehran” and “Handmaid’s Tale by Fateme Soltani, Negar Khodadadi

“…In this essay, two examples of dystopian works from two different Iranian and American cultures; That is, the novels "The Terrible Tehran" by Morteza Mushfiq Kazemi and "The Handmaid’s Tale" by Margaret Atwood have been examined and compared. According to some experts such as Gary Saul Morson, American writer and literary critic, in the book "Boundaries of Genres", Frederick Jameson (1998), American critic and theorist, and George Orwell, author of the dystopian novel "1984" Dystopian literature is an independent type and genre whose components may occur. …”
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A canadian response to the iconography of war propaganda in the British Empire: Nellie McClung’s Politeia Pax Feminina by Karin Ikas

“…Comme l’écrivait récemment Margaret Atwood dans Story of a Nation (2001), l’éthique canadienne de considération pour autrui fait aujourd’hui partie de l’identité nationale autant que le respect de la diversité et du multiculturalisme. …”
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AN ECOLINGUISTIC ANALYSIS OF CIRCE BY MADELINE MILLER: RECONSTRUCTING THE RELATIONS AMONG DIFFERENT FORMS OF BEINGS THROUGH FIGURATIVE RECONCEPTUALIZATIONS by Banu AKÇEŞME, Çağrı ŞARLAR

“…Angela Carter ve Margaret Atwood gibi; Madeline Miller, var olan hikayeleri feminist bir bakış açısıyla yeniden yazarak edebi kanonu oluşturan fallogosantrik anlatıları yapıbozuma uğratmayı amaçlar. …”
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Editorial by Mario Sebastián Román

“…En el análisis desplegado en su artículo, Juan Pablo Duboué Iuvaro se adentra en el análisis de aspectos singulares de los principales poemas de Margaret Atwood en The Circle Game: «el uso meticuloso de la distopía, el motivo de la circularidad y las nociones de espacio y lugar que luego son desarrollados a lo largo de toda su obra literaria», para contribuir al estudio de tales conceptos, así como al análisis de obras menos populares de la autora. …”
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‘Speculative Slipstreaming’: The Impact of Literary Interventions within Contemporary Science Fiction by Laura-Jane Devanny

“…Margaret Atwood and Jeanette Winterson are two canonical writers participating in a ‘literary slipstream’ through their ventures into science fiction, creating crossover texts that confuse the boundaries between the literary and the popular. …”
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