Showing 1 - 20 results of 23 for search '"Marjane Satrapi"', query time: 0.31s Refine Results
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    Bearers of culture: images of veiling in Marjane Satrapi’s Persepolis by Jelodar, Esmaeil Zeiny, Noraini Md. Yusof, Khalil Mahmoodi

    Published 2013
    “…By examining the history of veiling in Iran and the study of veiling as represented in Marjane Satrapi’s memoir, Persepolis, this paper sheds light on the ramifications of forced unveiling and veiling, and it also enlightens the readers to how the Iranian women became the yardstick with which the country’s progress is measured. …”
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    Marjane Satrapi and the Graphic Novels from and about the Middle East by Chris Reyns-Chikuma, Houssem Ben Lazreg

    Published 2017-01-01
    “…Persepolis , Marjane Satrapi's prominent graphic autobiography, depicts her coming-of-age in Iran during and after the Islamic Revolution. …”
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    Marjane Satrapi’s Poulet aux Prunes: fetish, desire, and illusions by Stefania Rimini

    Published 2013-07-01
    “…Il saggio si propone di individuare e descrivere le sfumature erotiche e sentimentali del film Poulet aux prunes di Marjane Satrapi, felice adattamento dell’omonima graphic novel. …”
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    DOMINASI PATRIARKAL DALAM NOVEL GRAFIS BRODERIES KARYA MARJANE SATRAPI by NIAGARA, DUTA PUTRA

    Published 2013
    “…The graphic novel Broderies written in 2003 by Marjane Satrapi is the material object of this thesis. …”
    Thesis
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    Marjane Satrapi y el poder de las historias de la historia by Elena Pérez Elena

    Published 2017-01-01
    “…Marjane Satrapi y el poder de las historias de la historia …”
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    Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi by Eszter Szép

    Published 2014-09-01
    “…Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war.…”
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    De la bande dessinée comme de la littérature by Sylvain Rhéault

    Published 2010-11-01
    “…Pourtant, la distance entre la représentation d'une pièce de Racine et un poème d'Éluard n'est-elle pas plus grande que celle entre un roman à caractère autobiographique d'Amélie Nothomb et une bande dessinée de Marjane Satrapi? Nous proposons d'examiner l'oeuvre Persepolis de Marjane Satrapi qui se démarque nettement de la production traditionnelle par des choix originaux de sujets et de styles. …”
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    De la bande dessinée comme de la littérature by Sylvain Rhéault

    Published 2010-11-01
    “…Pourtant, la distance entre la représentation d'une pièce de Racine et un poème d'Éluard n'est-elle pas plus grande que celle entre un roman à caractère autobiographique d'Amélie Nothomb et une bande dessinée de Marjane Satrapi? Nous proposons d'examiner l'oeuvre Persepolis de Marjane Satrapi qui se démarque nettement de la production traditionnelle par des choix originaux de sujets et de styles. …”
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    Windows of Cognition : Contemporary French Comics and the Cultural Middlebrow by David Platten

    Published 2017-11-01
    “…These claims are tested through analyses of Marjane Satrapi’s contemporary classic Persepolis and Riad Sattouf’s on-going saga L’Arabe du futur. …”
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    Educação à literatura: uma prática sem adjetivos by Biagio D'Angelo

    Published 2013-07-01
    “…Passando de Ângela-Lago a Marjane Satrapi, é nosso interesse falar da flexibilidade da literatura para fazer do comparativismo o método de leitura de uma literatura sem adjetivos, adequada ao devir e às transformações da atualidade. …”
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    Exploring Ghost Worlds: A Review of 'The Daniel Clowes Reader' by Paddy Johnston

    Published 2013-09-01
    “…The Daniel Clowes Reader (Parille 2013) comes at the perfect time – when interest in Clowes from scholars and critics is at a high, but in which he is still perhaps given less critical attention than his peers Chris Ware, Art Spiegelman, and Marjane Satrapi, all of whom are cited twice as often as Clowes despite his large canon of significant works in comics. …”
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    Black and white memories: re-inscription of visual orientalism in embroideries by Jelodar, Esmaeil Zeiny, Noraini Md Yusof

    Published 2014
    “…By examining the history of visual orientalism and by studying Marjane Satrapi’s Embroideries (2005), we argue that discourses such as Satrapi’s re-inscribe the visual Orientalism by representing the cliché and stereotypical images of women.…”
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    Komiksy Marzeny Sowy. Marzi opowiada o dzieciństwie w PRL-u by Anna Podemska-Kałuża

    Published 2018-11-01
    “…Since its debut in 2005, the critic compares this comic diary from the time of puberty to the famous Persepolisof Marjane Satrapi. For the modern reader the books of Marzena Sowa is a valuable source of knowledge about Poland in the days of “Solidarity” and Lech Wałęsa, as well as the iconic comics that has a big power of social and cultural impact.…”
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    NORMA LINGUÍSTICA E ORALIDADE FINGIDA NA TRADUÇÃO DE PERSÉPOLIS by Ana Cláudia Vieira Braga, Marcos Araújo Bagno

    Published 2020-06-01
    “…O romance gráfico Persépolis, de Marjane Satrapi, traduzido do francês para o português brasileiro por Paulo Werneck, é o corpus dessa pesquisa. …”
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    Między pamięcią a historią: animowana rewolucja irańska by Elżbieta Wiącek

    Published 2019-12-01
    “…Wśród nich wyróżnia się Persepolis (2007) – francuski pełnometrażowy film animowany w reżyserowany przez Marjane Satrapi i Vincenta Paronnauda, na podstawie autobiograficznego komiksu o tym samym tytule, którego autorką jest Satrapi. …”
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    The Weeping Woman in the Graphic Memoir: A Derridean Inquiry into the Traces/Trait(s) of “Self ” by Noelle Leslie de la Cruz

    Published 2016-06-01
    “…In this paper, I examine how women graphic memoirists – Marjane Satrapi, Alison Bechdel, and Roz Chast in particular – attempt to draw that which remains fleeting, absent, and abyssal: the so-called “self.” …”
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