The Marquis de Sade's The 120 Days of Sodom: Revelling in the Natural Law of Libertinage by Amanda Di Ponio

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Marquis de Sade als medialer Wendepunkt. Peter Weiss und Pier Paolo Pasolini by Luca Zenobi

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« Le grand art est de se contrefaire » : les comedies de l’aveu dans le theatre du Marquis de Sade by David Yvon

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Dibujar fuerzas y cuerpos: una genealogía fragmentaria en la historiografía arquitectónica. École des Beaux-Arts, Marqués de Sade y Siegfried Ebeling= Drawing forces and bodies: A fragmentary genealogy in architectural historiography. École des Beaux-Arts, Marquis de Sade and Siegfried Ebeling by Víctor Manuel Cano Ciborro

“…It will also explore how the dogmas of the Enlightenment were challenged by a Mason­ic architecture, seeking bodies and debauchery, as exemplified by the stories of the Marquis de Sade. Additionally, it will delve into how the abstract modernist diagram led by Le Corbusier was disrupted by the atmospheric energies, membranes, and sensitive bodies conceived by Siegfried Ebeling.  …”
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Unmasking the entrepreneur / by Jones, Campbell, 1973-, Spicer, Andr

Miscellany/Mélanges

“…<br/>Jean Leduc, Les Sources de l'athéisme et de l'immoralisme du marquis de Sade <br/> George B. Watts, Charles Joseph Panckoucke, 'l'Atlas de la librairie française'…”

Jüngers kødgryder by Jan T. Schlosser

“…The focus in the article is on Der Kampf als inneres Erlebnis (1922) and Das Abenteuerliche Herz (1929), and it is demonstrated how Jüngers as a trademark stresses the dark underbelly of modernity through the use of decaying flesh in a way that can be compared with Edgar Allan Poe and Marquis de Sade. This takes Jüngers away from the enlightenment tradition and towards a more intuitive perception of civilization.  …”
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La fille en boîte : naissance d’une perversion au Japon by Agnès Giard

“…In 1972, Shibusawa Tatsuhiko (1928-1987), translator of Georges Bataille and Marquis de Sade, publishes an essay – “Introduction to collections of girls” (Shôjo korekushon josetsu) – expanding the idea according to which girls, being objects by definition, arouse in men the desire to make a collection of them, i.e. to own several specimens of girls and preserve them in boxes. « More the individuality of a woman is restricted within the limits of her sole existence, more she is deprived of words, more she becomes nothing but a fragment of object, more man’s libido burns with a pale and burning flame », writes Shibusawa. …”
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Comentarios obre temas filosóficos en Cuentos, Historietas y Fábulas del Marqués de Sade by Andrés Solano-Fallas

“…The purpose of this document is to analyze various topics of a philosophical nature, or that may be of interest for philosophical work, contained in the 25 texts of Stories, Tales and Fables (1787-1788) by the Marquis de Sade. Given the variety of texts as topics, several of them not related to each other, the document constitutes a kind of “thematic kaleidoscope”. …”
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Incesto travestito. “Sei personaggi.com” di Edoardo Sanguineti by Jole Silvia Imbornone

“…Incest is thus a grotesque operation of education-corruption, drawing on metalinguistic disquisitions, poetic quotations (Eliot) and fragments of pop culture, images from the history of art (Balthus, Dalí), erotic iconography, Tarot figures and the Marquis de Sade’s libertine philosophy. This network composes a mosaic of high and low cultural references, merging with explicit psychoanalytical readings of the plot, which is re-staged through quotations of, and variations on, Pirandello’s source text.…”
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Sade in Italy: Deconsecrating Art. Parody Forms and Ekphrasis by David Matteini

“…This article analyses the parody procedures employed by the Marquis de Sade in descriptions of works of art (ekphrasis) that are found in the little-known Voyage d’Italie, account of a trip to Italy that the author made in 1775 to escape the persecution of French police. …”
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Les stratégies d’insertion de l’éthique dans Le Cachet d’Onyx de Jules Barbey d’Aurevilly by Alice De Georges-Métral

“…Pontmartin denounces this discrepancy between morality and the narrative while reproaching Jules Barbey d'Aurevilly for thinking like Joseph de Maistre and writing like the Marquis de Sade. Le cachet d'Onyx, Barbey d'Aurevilly's first short story, written in 1831, is indeed representative of the ambivalent writing of morality in fiction. …”
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The first impasse, a drop of darkness: Influence of gnostic teachings on Emil Cioran's antinatalistic thought by Trifunović Boban N.

“…We have also managed to connect Cioran's thoughts with those of the French moralists, Buddhism, Marquis de Sade, Arthur Schopenhauer and Friedrich Nietzsche.…”
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La vida es pornografía igualitaria. <em>Inmaculada o los placeres de la inocencia</em> de Juan García Ponce by Eric Miguel Avila Ponce de León

“…Given that the novels Justine and Juliette by the Marquis de Sade are the models of literary pornography that García Ponce followed for the writing of Inmaculada, in this article I carry out a comparative analysis between the three works to establish the key differences between them, and the contributions of the Yucatecan writer to the historical tradition of literary pornography. …”
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Pourceaugnac – Dreynar – Niedole przybysza by Patryk Kencki

“…The undeserved indignities and grievances visited upon the newcomer situate the play among the literary works which present an overabundance of human misery, the most emblematic of them being Justine by Marquis de Sade.…”
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Beckett, with Sade: Sadean intertext and aesthetics in Samuel Beckett's works by Baroghel, E

“…<p>This thesis is the first full-length study of the relevance of the Marquis de Sade to Samuel Beckett’s works. While relatively little scholarship exists on this subject, the question of a Sadean presence in Beckett’s oeuvre has been drawing increasing critical attention since the publication of Beckett’s correspondence (e.g. …”

Representing violence in France 1760-1820

“…Violence and the (re)writing of history<br/> Catriona Seth, The ‘dix août’ (10 August 1792) in literary texts<br/> Michèle Vallenthini, Violence in history and the rise of the historical novel: the case of the marquis de Sade<br/> Yann Robert, The everlasting trials of Jean Calas: justice, theatre and trauma in the early years of the Revolution<br/> Pierre Frantz, Violence in the theatre of the Revolution<br/> III. …”

Miscellany/Mélanges

“…O’Reilly, Language and the transcendent subject in three works of the marquis de Sade: <em>Les 120 journées de Sodome</em>, <em>La Philosophie dans le boudoir</em>, and <em>Justine</em> <br/> Michael Tilby, Ducray-Duminil’s <em>Victor, ou l’enfant de la forêt</em> in the context of the Revolution <br/> G. …”

Jean-Jacques Rousseau et la lecture

“…<br/><br/> Préface<br/> <em>Prologue</em><br/> Colette Ganochaud, Le Lecture, sa valeur, son intérêt chez Rousseau<br/> <em>Rousseau, lecteur</em><br/> Martine-Drouet, Rousseau, lecteur de Jean-Jacques<br/> Noël Parker, La république des lettres et la validité du discours public <br/> Janie Vanpée, Leçons de lecture dans l’<em>Emile</em>: de la lettre à la fable<br/> Coulette Piau-Gillot, La bibliothèque de Julie<br/> Robert Yennah, Rousseau, lecteur de la Bible<br/> Lieve Spaas, Rousseau et Abélard: la structure patriarcale menacée<br/> Maria José Villaverde, Rousseau, lecteur de Spinoza<br/> Christian Destain, Rousseau devant Leibniz: du ‘mal’ à l’harmonie et de l’ordre divin à l’ordre politique<br/> Jacques Domenech, Rosseau, lecteur et critique d’Helvétius<br/> Yves Paul Barland, Rosseau ou le Newton malgré lui des sciences humaines<br/> Michel Termolle, Rousseau, lecteur et critique des compilateurs<br/> Annie Jourdan, Rousseau, critique des monuments et des arts<br/> Gao Qiang, Rousseau et le jardin chinois<br/> <em>Quatre lectures de Rousseau</em><br/> Sonia Fassel, Sade, lecteur de Rousseau dans <em>Aline et Valcour</em><br/> Sylvie Dangeville, Présence de Rousseau dans le théâtre du marquis de Sade<br/> Guillemette Johnston, Rousseau et la critique moderne<br/> Tanguy L’Aminot, ‘Les lecteurs écrivent…’. …”