The female body in Martin Amis’ Money: a satiric portrait by Alkodimi, Khaled Abkar, Omar, Noritah

“…This paper explores Martin Amis’ Money: A Suicide Note (1984) as a satiric portrait of the commodification of the female body in the market place. …”
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Hi(s)story Gone Wrong. Martin Amis on the Holocaust in Time‘s Arrow by Michaela PRAISLER

“…A historical novel told backwards, Martin Amis‘s Time‘s Arrow recycles the shared memories of the Holocaust, experiments with narrative representation and uses black irony throughout, in an attempt at healing the past and avenging the dead, while shedding a surgical light on the present and the living. …”
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Martin Amis’s “State of England” within the Lefebvrean Socio-Spatial Context by Nilay Erdem Ayyıldız

“…England and the protagonist, Big Mal, in Martin Amis’s “State of England” (1998) stand as exemplars for the aforementioned issue. …”
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Anti-capitalist satirical attitude in novels by Sonallah Ibrahim and Martin Amis by Alkodimi, Khaled Abkar

“…This study examines the satirical attitude of Sonallah Ibrahim and Martin Amis in the selected literary texts. Taking Ibrahim and Amis as authors who bitterly criticised the established socioeconomic conditions of the late twentieth century society, the analysis centers on two novels each, whose satirical tone, together with their subject matter and wide spread popularity, make them essential reading in this context. …”
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Foucauldian transgression as a mode of resistance in selected novels by Martin Amis by Mohammed, Marwan Kadhim

“…Thus, the present study examines the social transgression in Martin Amis' selected novels in terms of Michel Foucault's theory of Transgression. …”
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Editing Lives/Rewriting Public Identity: Celebrity and Authorship in Martin Amis’s Experience by Sally Mitchell

“…Addressing the negotiation of fame by the celebrity-author, and treating authorial persona as a collectively inscribed discursive identity-text, this article examines Martin Amis’s Experience (2000) for the textual strategies used to position Amis as implied editor and to emphasise the postmodern textuality of the life being narrated.…”
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Truth problematization and identity formation: a foucauldian reading of Martin Amis's money by Marwan Kadhim Mohammed, Wan Roselezam Wan Yahya, Hardev Kaur, Manimangai Mani

“…Transgression in postmodern age marked a unique social and cultural aspect in re-forming the identity of the postmodern man. Martin Amis mirrors the identities of his characters through their transgression of the social norms, specifically, the established norms of truth of masculinity. …”
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Truth problematization and identity formation: a Foucauldian reading of Martin Amis's Money by Mohammed, Marwan Kadhim, Wan Yahya, Wan Roselezam, Jujar Singh, Hardev Kaur, Mani, Manimangai

“…Transgression in postmodern age marked a unique social and cultural aspect in re-forming the identity of the postmodern man. Martin Amis mirrors the identities of his characters through their transgression of the social norms, specifically, the established norms of truth of masculinity. …”
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The Western Rebirth of ‘lagernaya literatura’ by Andrea Gullotta

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Oana-Celia Gheorghiu. 2018. British and American Representations of 9/11. Literature, Politics and the Media. Switzerland: Palgrave Macmillan, ISBN 978-3-319- 75250-1, 269 pp. by Delia OPREA

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Beyond realism and postmordernism by Chatfield, T, Thomas Edward Francis Chatfield

“…</p> <p>Most previous critical studies of these authors have tended to discuss the relationship between Kingsley Amis and Martin Amis in terms of an opposition between the father's realism and the son's postmodernism, and have debated Philip Larkin's influence upon Martin Amis only tangentially. …”

British Creators of Fiction Facing Reality on September 11, 2001 by Oana Celia GHEORGHIU

“…Under focus will be: two articles signed by Ian McEwan, “Beyond Belief”, published on September 12th, 2001 and “Only Love and Then Oblivion”, on September 15th, and one by Martin Amis, “Fear and Loathing”, published on September 18th, 2001. …”
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“What is the Citie, but the People? True, the People are the Citie.” Coriolanus, Act III., Sc. I. by Ladislav Vít

“… Review of: The Postmodern City of Dreadful Night: The image of the city in the works of Martin Amis and Ian McEwan by Peter Chalupský (Saarbrücken: VDM Verlag, 2009. 133 pp. …”
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The Polymorphous Return of the Tragic in J. Littell e M. Amis by Emanuela Piga

“…In this article I intend to analyse Jonathan Littell’s novel Les Bienveillants (2006) and Martin Amis’s novel The Zone of Interest (2014) in their dealing with the traumatic events of the Twentieth Century through literary writing and in their conveying meaning in terms of remembrance and historical awareness of collective traumas. …”
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Nazis in Auschwitz: Reflections on Anglophone Perpetrator Fiction by Joanne Pettitt

“…To do this, I analyse three primary examples: John Donoghue’s <i>The Death’s Head Chess Club</i> (2015), Martin Amis’ <i>The Zone of Interest</i> (2014), and Dalton Trumbo’s unfinished novel, <i>Night of the Aurochs</i> (1979). …”
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«Reader! Bruder!»: The Rhetoric of Narration and the Rhetoric of Reading by Federico Bertoni

“…After a brief introduction on the “rebirth of rhetoric” in the second half of the Twentieth century, drawing attention to its links with Reader-response criticism, the paper  focuses on the “power of words” and analyzes three case-studies: Lolita by Vladimir Nabokov (1955), Money by Martin Amis (1984) and The Kindly Ones by Jonathan Littell (2006). …”
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Postmodern apocalypse in White Noise and London Fields by Khodadadegan, Neda, Jujar Singh, Hardev Kaur, Babaee, Ruzbeh

“…This study analyzes postmodern apocalypse in two selected novels, namely Don DeLillo’s White Noise (1985) and Martin Amis’s London Fields (1989). The term which refers to characters who cry their concern about the destruction of the world demonstrates a sense of apocalypse in a community of nuclear age. …”
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Epistemic Causality in Literary Discourse of M. Amis by S. A. Petrenko, A. Ph. Petrenko

“…Epistemic causal relations in the discourse of Martin Amis are studied on the example of complex statements with the connector because, which expresses the non-self-causal relationship between propositions. …”
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“Everywhere I look, you could frame it”: by Joseph Brooker

“…In all this, Mitchell compares tellingly to the great stylist of the previous generation of British novelists, Martin Amis. The reviewer Adam Mars-Jones observed that “Amis’s originality as a stylist” had been “to detach lyrical language from the lyrical impulse,” writing with exquisite style about degradation. …”
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Virtual frontiers and the technological state: contemporary American narratives in a global context by Flett, E

“…The narratives from 9/11 are considered while investigating a diverse selection of transnational texts that touch on the subject, including works from Don DeLillo, Amy Waldman, Martin Amis, and Frédéric Beigbeder. Also considered is the day’s social and historical significance, and its power as a virtual event. …”