<em>The Crucifixion</em> by El Greco in the evolution of an iconographic theme: <em>The Blood of Christ</em> by Alfonso Rodríguez Gutiérrez de Ceballos

“…This paper reviews different iconographic formulations <span>that finally converge in the configuration proposed by the Cretan painter, clarifying his graphical sources, including the <span>engraving of Martin Schongauer not linked yet to the work of El Greco. …”
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