Marvel Cinematic Universe Introductions by Alexander Weiss

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Mediatization by the young people in the narrative expansion of Marvel Cinematic Universe by Vicente Gosciola, Matheus Tagé Verissimo Ribeiro

“…In order to understand the factors that compose and surround the productions that are structured from this narrative paradigm, this work describes the transmedia storytelling that improves its characteristics to explain the phenomenon of the cultural presence that happens in the Marvel Cinematic Universe (MCU). In this context, we intend to apply the concepts of participatory culture, knowledge society, cultural presence and presentiment to understand how the entertainment industry, especially the MCU, reinterpreted the contemporary yearning for a new heroic narrative or epic story.…”
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Representation of defense organizations in the Marvel Cinematic Universe (2008-2019) by Juan Medina-Contreras, Pedro Sangro-Colón

Subjects: “…Marvel Cinematic Universe…”
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Approaching whiteness in slash via Marvel Cinematic Universe's Sam Wilson by JSA Lowe

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Using the Marvel Cinematic Universe to build a defined research line by Cody T. Havard, Rhema D. Fuller, Timothy D. Ryan, Frederick G. Grieve

“…Researchers can use the Marvel Cinematic Universe (MCU) to link their research to build a defined line of study. …”
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Call it Science: Biblical Studies, Science Fiction, and the Marvel Cinematic Universe by Aaron Ricker

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The Marvel Cinematic Universe : uncovering the secrets behind its Big Bang by Goh, Si Han

“…Eight years since its inception, the Marvel Cinematic Universe has become the highest-grossing film franchise worldwide in the history of film with a box office record totalling more than nine billion US dollars. …”
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Nécromancie métatextuelle et limbes contrefactuelles : dynamiques du Marvel Cinematic Universe by Florent Favard

“…This paper analyzes the evolution of the Marvel Studios transmedia universe (Marvel Cinematic Universe) by focusing on its dynamics through a diachronic perspective. …”
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Using Content Analysis to Analyze Issues in the Development of the Marvel Cinematic Universe and Their Impacts by Qiu Haoran

“…The Marvel Cinematic Universe has become one of the most successful and popular franchises worldwide due to its continuous development. …”
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Navigating Catholicism and queerness in "Daredevil" fan works by Alexandria Griffin

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Dissociative Identity Disorder (Did) Of Marc Spector in Marvel Cinematic Universe’s Show ‘Moon Knight’: A Psycholinguistic Analysis by Fitria Aprilia

“…This study examines a psychological disorder called dissociative identity disorder (DID) in the Marvel Cinematic Universe’s show Moon Knight, which premiered on March 30, 2022, and ran for six episodes. …”
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The cultural repertoire of recontextualized superhero in the Avengers sequels by Musrifatun Nangimah

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Unlocking the Marvel Multiverse: The Cosmic Nexus of Science, Philosophy, and Fiction through the Infinity Stones by Petro Katerynych

Subjects: “…marvel cinematic universe…”
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Marvel’s Captain America Civil War poster: An analysis based on the Grammar of Visual Design by Tatiana Koerich Rondon, Viviane Maria Heberle

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Genetics in the X-Men film franchise: mutants as allegories of difference by Sonora R. Grimsted, Katerina G. Krizner, Cynthia D. Porter, Jay Clayton

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‘If You Prick Us Do We Not Bleed?’: Marvel Comics’ Vision: Director’s Cut Re-Evaluating What It Means to Be Human by Leah Henderson

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Modeling the Marvel Everyfan: Agent Coulson and/as Transmedia Fan Culture by Suzanne Scott

“…This article contends that the transmedia franchising model pioneered by the Marvel Cinematic Universe (MCU) has worked to structurally produce an industry-approved conception of an everyfan. …”
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How the Avengers assemble: Ecological modelling of effective cast sizes for movies. by Matthew Roughan, Lewis Mitchell, Tobin South

“…We apply our measures to the Marvel Cinematic Universe (MCU), and show what they teach us about this highly successful franchise of movies. …”
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Transgresser pour mieux raconter : la métalepse dans la série WandaVision by Louis Escouflaire

“…L’analyse se centre sur la première série du Marvel Cinematic Universe, WandaVision (2021), qui comporte plusieurs types de métalepses différents : autoréférentielles, fictionnelles et transfictionnelles.…”
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Conséquences narratives de la plateformisation des franchises cinématographiques : le cas de Disney+ by Anaïs Goudmand

“…The creation of Disney+ has a major impact on the production strategies of the franchises: the “Marvel Cinematic Universe” (“MCU”) already included many series, but their artistic control was then shared with various broadcasters, while it now depends exclusively on Marvel Studios. …”
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