Marvel Comics : the untold story / by Howe, Sean, author

Sean Howe: Niezwykła Historia Marvel Comics, Kraków 2013 by Mateusz Maleszka

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Deconstructing Gilgul, Finding Identity by Hausmanninger, Thomas

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‘If You Prick Us Do We Not Bleed?’: Marvel Comics’ Vision: Director’s Cut Re-Evaluating What It Means to Be Human by Leah Henderson

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El mito de la masculinidad y su evolución a lo largo del siglo XX en Marvel Comics by José Joaquín Rodríguez Moreno

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Medium Specificities of The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson: Marvel Comic, Video Game, and Korean TV Drama by Edria Sandika

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Marvel Comics #1000: la traducción de denominaciones reales e imaginarias en los mundos ficticios superheroicos en la modalidad narrativa gráfica by Robert Szymyslik

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Captain America and fans' political activity by Forrest Phillips

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La sombra sobre Marvel: reescrituras del horror arquetípico en los cómics del Doctor Extraño. by Jorge Martín

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"Ms. Marvel," Tumblr, and the industrial logics of identity in digital spaces by Christopher M. Cox

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Who is afraid of a black Spider(-Man)? by Ora C. McWilliams

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“Things are Complicated”: Paul Cornell at Marvel and DC by Jasper Schelstraete

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Now It’s My Time! Black Girls Finding Space and Place in Comic Books by Grace D. Gipson

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Touch Me/Don’t Touch Me: Representations of Female Archetypes in Ann Nocenti’s Daredevil by Robert Hagan

“…In the late 1980s, Ann Nocenti became the principle writer on the Marvel comic book, Daredevil, the second woman to be lead creator on the book and the first to write a significant run on an ongoing basis. …”
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Yes, We Khan—Diversity and De-Monsterization of Muslim Identities in <i>Ms. Marvel</i> (2014–) by Anja Borg Andreassen

“…In 2014, Marvel comics introduced a new character to take over the mantle of the superhero identity Ms. …”
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TECHNIQUES AND QUALITY OF 'CIVIL WAR: WHOSE SIDE ARE YOU ON?' COMIC TRANSLATION by Rifqi Hanif Barezzi, MR Nababan, Riyadi Santosa

“…The objectives of this study were to know the translation techniques and the assessment translation quality of Marvel comic series entitled Civil War: Whose Side Are You? …”
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A study on the figure drawing of local historical comics / Mohamad Akmal Ariff Kamarudin by Kamarudin, Mohamad Akmal Ariff

“…Usually local conic is not drawn in the same style like X-men, Batman, Superman (DC and Marvel comic). Mostly there have a same element in local comic that could relate to manga style especially on its figure drawing like its muscle, eyes, and sound effect. …”
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Of Auction Records and Non-Fungible Tokens: On the New Valences of Superhero Comics by Daniel Stein, Laura Désirée Haas, Anne Deckbar

“…This article examines a recent form of marketing superhero comics that has garnered extensive media attention and has been promoted as the next big step in comics production: the decision by companies like Marvel Comics and DC Comics to offer selections of their intellectual properties as <i>non-fungible tokens</i> (NFTs). …”
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Gandhi: the Beast Within. An Anthropological Perspective of the Comic Book View of the Symbolic Figure of Gandhi by Víctor Luis Vélez García

“…The characters are based on the projection of an oversized image which respond to human traits which are mythologized. Hulk, the Marvel Comics Publishers character, stands out and it is used as a referee for the publication of the comic where Gandhi is parodied and caricaturized. …”
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…Comic Books, Möbius Strips, Philosophy and… by Ian Hornsby

“…This article examines three comic books, Silver Surfer #11 (Marvel Comics), Omega Men #9 (DC Comics) and Promethea #12 (Americas Best Comics), as philosophy in themselves, and not merely as supplements to philosophical texts or as a convenient form through which the complex ideas of philosophy can be elucidated. …”
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