Marvel Comics : the untold story / by Howe, Sean, author

Deconstructing Gilgul, Finding Identity by Hausmanninger, Thomas

Subjects: “…Marvel Comics…”
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Sean Howe: Niezwykła Historia Marvel Comics, Kraków 2013 by Mateusz Maleszka

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Captain America and fans' political activity by Forrest Phillips

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‘If You Prick Us Do We Not Bleed?’: Marvel Comics’ Vision: Director’s Cut Re-Evaluating What It Means to Be Human by Leah Henderson

Subjects: “…marvel comics…”
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La sombra sobre Marvel: reescrituras del horror arquetípico en los cómics del Doctor Extraño. by Jorge Martín

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El mito de la masculinidad y su evolución a lo largo del siglo XX en Marvel Comics by José Joaquín Rodríguez Moreno

Subjects: “…marvel comics…”
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Medium Specificities of The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson: Marvel Comic, Video Game, and Korean TV Drama by Edria Sandika

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Debunking Marvel Comics’ First Pakistani-American Born Muslim Female Superhero: Reading Religion, Race and Gender in Ms. Marvel (Kamala Khan) by Johannes A Smit, Denzil Chetty

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"Ms. Marvel," Tumblr, and the industrial logics of identity in digital spaces by Christopher M. Cox

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Marvel Comics #1000: la traducción de denominaciones reales e imaginarias en los mundos ficticios superheroicos en la modalidad narrativa gráfica by Robert Szymyslik

Subjects: “…Marvel Comics…”
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“Things are Complicated”: Paul Cornell at Marvel and DC by Jasper Schelstraete

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Now It’s My Time! Black Girls Finding Space and Place in Comic Books by Grace D. Gipson

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ESPIRITUALIDADE E MAGIA NAS HISTÓRIAS EM QUADRINHOS DA MARVEL by Silas Guerriero, Fábio Leandro Stern

“…SPIRITUALITY AND MAGIC IN THE MARVEL COMICS Magic is a constant in superheroes stories, and is often confused with religion and spirituality. …”
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Of Auction Records and Non-Fungible Tokens: On the New Valences of Superhero Comics by Daniel Stein, Laura Désirée Haas, Anne Deckbar

“…This article examines a recent form of marketing superhero comics that has garnered extensive media attention and has been promoted as the next big step in comics production: the decision by companies like Marvel Comics and DC Comics to offer selections of their intellectual properties as <i>non-fungible tokens</i> (NFTs). …”
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…Comic Books, Möbius Strips, Philosophy and… by Ian Hornsby

“…This article examines three comic books, Silver Surfer #11 (Marvel Comics), Omega Men #9 (DC Comics) and Promethea #12 (Americas Best Comics), as philosophy in themselves, and not merely as supplements to philosophical texts or as a convenient form through which the complex ideas of philosophy can be elucidated. …”
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Gandhi: the Beast Within. An Anthropological Perspective of the Comic Book View of the Symbolic Figure of Gandhi by Víctor Luis Vélez García

“…The characters are based on the projection of an oversized image which respond to human traits which are mythologized. Hulk, the Marvel Comics Publishers character, stands out and it is used as a referee for the publication of the comic where Gandhi is parodied and caricaturized. …”
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Up from the Depths: The Cultural Appropriation of Godzilla in 1970s American Animation and Comics by C. Scott Maravilla

“…This article will examine how Marvel Comics and Hanna-Barbera cartoons culturally appropriated Godzilla for American children, but how this also led to an appreciation of the Japanese films.…”
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Sword and Sorcery. Robert E. Howard. Un bárbaro con miedo a vivir by Diego Mollá Furió

“…Howard con dos personajes: Conan the barbarian y Kull of Valusia que, en la década de los 60, fueron publicados por Marvel Comics Group, la más importante editorial de comic books. …”
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Novel Forms of Rewriting Aristophanes’ Comedies: Comic Book Adaptations and Their Translations by Lingyu Li, Xiaoli Wang

“…The first chapter starts by stressing that Marvel Comics may use humor for branding purpose, considering that humor is something memorable that readers are instinctively willing to appreciate and share. …”
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