The Paintings Left Behind: Two New Paintings by Mary Cassatt from Seville by M. Elizabeth Boone

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“The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s <em>La Femme au tournesol</em> by Nicole Georgopulos

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Mary Cassatt au Mona Bismarck American Center for Arts and Culture, et Paul Sietsema à la Drawing Room, Londres : images re-produites, visions fractionnées. by Kamila Benayada

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Spieëlbeelde in die werk van Ingrid Jonker en Sylvia Plath by I. Gertenbach

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Whistler to Cassatt: American Painters in France by Annette Stott

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Dynamic reflections: mirrors in the poetic and visual culture of Paris from 1850 to 1900 by Etheridge, K

“…</p> <p>The thesis is arranged into three sections, examining texts by Charles Baudelaire, Henri de Régnier, Jules Laforgue, Stéphane Mallarmé, and Marie Krysinska, and artworks by Edgar Degas, Edouard Manet, Henri de Toulouse-Lautrec, Berthe Morisot, and Mary Cassatt. The first section assesses Baudelaire’s works as a turning point for the mirror’s symbolic significance, particularly examining how Baudelaire reinterprets the association between mirrors and femininity. …”