RHAPSODY FOR VIOLIN, CELLO AND PIANO BY COMPOSER LIVIU STIRBU IN THE CONTEXT OF ASSIMILATION OF STYLE AND GENRE PECULIARITIES OF MASS MUSIC CULTURE by PLESCAN, IRINA, VICTORIA TCACENCO

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RUSSIAN PIANO CULTURE OF THE 20<SUP>TH</SUP> CENTURY IN THE CONTEXT OF MUSIC EDUCATION PROBLEMS by N. A. Govar

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Hearing A New World: The Aesthetic Use of Technology in Pop-Rock by Sol Bidon-Chanal

“…Adorno’s thoughts on mass music as prolegomena and arriving at the so-called “ontologies of rock”, this article takes an aesthetic point of view concerning the specificity of pop-rock and argues that the decisive aspect of the genre in the choir of popular musical expressions lies in the unique role of technology applied in its production. …”
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Musical life of Sremska Mitrovica in socialist Yugoslavia (1945−1991): Preliminary research by Tanasijević Jasna

“…In addition to serious music, the main area of musical life in Sremska Mitrovica during Yugoslav socialism comprised folk music in the form of an urbanized, institutionalized and festivalized folklore tradition, as well as popular music based on the naturalization of global mass musical culture.…”
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Architect Hans Poelzig: a project for Ukraine by Svitlana Smolenska, Hans-Dieter Nägelke

“… The paper examines one of the fragments of the creative heritage of the famous German architect Hans Poelzig: his competition project of the State Ukrainian Theatre of Mass Musical Action for 4000 seats for Kharkiv. The project is viewed through the prism of little-known competitive events of 1930, which makes it possible to decipher its architectural, compositional, urbanistic and functional ideas, to reveal its symbolism. …”
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Kharkiv International Competition by Svitlana Smolenska

“… One of the sides of a large study dedicated to the forgotten international competition of 1930 for the Project of the State Ukrainian Theater of Mass Musical Action in Kharkiv is touched upon in this article. …”
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