Challenging digital and mediatic binarity. Post-cinematographic experience in LuYang’s work by Adrian Fix

Subjects: “…media archaeology transmediality, intermediality, transidentity, gaming…”
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Digital Reformatting and Data Rescue with RADD and the PROUD and PRAVDA Kits by Dorothea Salo, Jesse Hocking

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Experimental Design as Archeological Practice by Diego Gómez-Venegas

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Shot and never seen again: Videotapes as waste and merchandise in post-socialist Romania by Jonathan Larcher

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Experimental Design as Archeological Practice by Diego Gómez-Venegas

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Experimental Design as Archeological Practice by Diego Gómez-Venegas

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Experimental Design as Archeological Practice by Diego Gómez-Venegas

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Experimental Design as Archeological Practice by Diego Gómez-Venegas

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Orphaned Films: Digital Film Practices by Today’s Children by Alexandra Schneider, Wanda Strauven

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For an autonomous existence of images: an archaeological perspective by José Cláudio S. Castanheira

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Burned Out Myths and Vapour Trails: Vaporwave’s Affective Potentials by Killeen Padraic

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Notes on camera obscura: three contemporary artistic perspectives on the path of photography by Filippo De Tomasi

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Ce que nous appelions « l’histoire des médias » : l’exercice de l’archéologie médiatique by Wolfgang Ernst, Ghislain Thibault

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The deep time of the screen, and its forgotten etymology by Giorgio Avezzù

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Inhabited stories: An enactive media archaeology of virtual reality storytelling by Giuseppe Gatti

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Time and the Problems of Television: Three Images by Timothy Barker

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Los neoramas del óptico Felipe Maglia y la diversificación de la cartelera de espectáculos ópticos en la Barcelona del siglo XIX by Célia Cuenca Córcoles

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Counter-Devices of Moving Image: The Werner Nekes Collection by Maria Mire

Subjects: “…Media archaeology…”
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Re-animating Ghosts: Materiality and memory in hauntological appropriation by Michael Peter Schofield

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Spot the Fire, Amuse the Alpinist. The Toposcope, an in situ Panoramic Device (1790–1910) by Matteo Citrini

Subjects: “…Media Archaeology…”
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