Albrecht Dürer’s Image in the Art Works and Theory of the Nazarene Movement and its Followers by Frolova Liudmila V.

“…The formation of Albrecht Dürer’s cult in German romantic culture is an important problem of modern art history, since the image of the German master, created in the first half of the 19th century, still influences the perception of his work. …”
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Evaluation of the Concept of Defamiliarization in Michel Battori's Posters by Mohammad Khazaei, Erfaneh Ismaili

“…"Ahmadi" (1996) addresses the similarities between modernism and defamiliarization in his book titled "The Truth and Beauty "and considers defamiliarization as one of the most important aspects of modern art. Moreover, "Shafiei Kadkani" (2012), in an essay entitled "Defamiliarization," elaborates on the position of this approach in the literature and believes that all innovations in the field of literature and art, except in some rare cases, results from defamiliarization.  …”
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Practical poetics: rhythmic spatiality and the communicative movement between site, architecture and sculpture by Lynch, Patrick

“…In order to deal with the effects upon modern design and architectural thinking of dead metaphors like 'technology, 'form' and 'space', I critique and reject their use in architectural discourse, by returning to the philosophical tradition of 20th century phenomenology - Husserl and Heidegger, Merleau-Ponty, et al- in order try to reveal the power of spatiality in 20th century thought, and its central importance to modern art and architecture. This led to new ways of making site-specific, topographic and spatial sculptures, and in some cases led to brilliant and urbane syntheses of architecture with sculpture - revealing the potential communicative depth of spatiality. …”
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Ottoman painting and painters during the First World War by Tongo, G

“…<p>This study focuses on the Ottoman art world during the First World War and explores how the war changed the conditions of art production, its agents, and the art itself between 1914 and 1918, a topic that has remained peripheral to international cultural histories of the First World War and modern art more generally. In modern Turkish history and art history too, the art of the war years has either been overlooked―buried in the images of the Independence War that followed―or distorted for ideological purposes―emphasizing the militaristic and pro-war aspects of wartime artworks and marginalizing or excluding non-Muslim Ottoman artists from the story. …”

The Artist and His Circle. Russian Emigre Artist Eugene Klimoff by Romanova Elena O.

“…At the same time, the landscapes by Klimoff are analysed not only from the point of view of a modern art critic but also from that of his contemporaries. …”
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Professional training of future fine arts teachers for the use of graphic design by Wang Wei

“…It has been proven that the training of such specialists who have the basics of design culture is an urgent problem of modern art pedagogy. It was determined that the formation of design skills in students as an integral component of the professional qualities of a future teacher of fine arts is realized in the process of their activity, during which individual characteristics are manifested, which contribute to the formation of a person’s positive attitude towards their profession and the people with whom they work, as well as the desire for personal growth and professional improvement. …”
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فن الخداع البصري ( أوب أرت ) وأهميته في فن الملصق الإعلاني (البوستر) by Linda Hwege

“…poster art consider vital and modern art  in it's different aspects like economical ,educational, scientific, political, cultural and Literary and Arabic and European arts have benefit from it since between the two war until now. …”
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فن الخداع البصري ( أوب أرت ) وأهميته في فن الملصق الإعلاني (البوستر) by ليندا أحمد حويجي

“…poster art consider vital and modern art  in it's different aspects like economical ,educational, scientific, political, cultural and Literary and Arabic and European arts have benefit from it since between the two war until now. …”
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ESTETIKA SENI LUKIS KARYA KOEBOE SARAWAN by Y Yulianto, Dharsono Sony Kartika

“…  This paper is part of Yulianto’s thesis work, 2017, with the title “Seni Lukis Karya Koeboe Sarawan, Kritik Seni Holistik.†The existence of Koeboe Sarawan’s art of painting in the Indonesian modern art scene is understood as an artwork that has its own characteristics. …”
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Geleneksel Mimariye Öykünme Bağlamında Günümüz Safranbolu Sivil Mimarisi / Today’s Safranbolu Civil Architecture in Respect to Imitation of Traditional Architecture by Bülent Oral

“…Thus, the aspects affect today’s art understanding, factors reveal these aspects and effect of all these to modern art will be understandable. Especially after 2000, efforts of imitation to traditional patterns in newly constructed sites and resorts created new structural types of acchitecture and eclectic conceptions. …”
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Modern Ukrainian poster as artistic chronicle of resistance to Russian aggression (poster collection of design group "Creative Resistance KNUCA/KUC") by Donets Olena, Budnyk Andrii

“…A historical-comparative method, a method of analysis and synthesis were used, which made it possible to show the place of the poster in the general paradigm of modern art, to highlight the peculiarities of the artistic language of the modern poster, to demonstrate the viability of traditional symbols in a new context and the appearance of new ones determined by time. …”
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THE POEM “THE DREAMING BOYS” BY OSCAR KOKOSHKA AS A LITTLE MASTERPIECE OF EXPRESSIONISM: OWN AND ALIEN

“…The problem under discussion in the article touches upon the artist’s position towards assessment of his own creative activity – the degree of its novelty, its place in the modern art and literature, and its relation to the traditions. …”
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The Structure of Thought in Imaginative Painting based on the Concept of Traditional Art by Reza Alipour

“…Problem Definition: In the face of the promotion of modern art schools in Iran, Khiali-Negari painting was formed as a continuation of the miniature tradition and its combination with the artistic methods of its time, and attempted to find its method of expression appropriate to popular and religious art. …”
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The style and subject of the contemporary Islamic painting in Malaysia of the 80s and 90s. / Ahmadrashidi Hasan, Azian Md. Zain and Abd. Rasid Ismail by Hasan, Ahmadrashidi, Md. Zain, Azian, Ismail, Abd. Rasid

“…Islamic art turn out to be a mainstream in the development of the Malaysian modern art in the 80s and 90s. This is an important occurrence and should be recorded as a historical fact and as document of reference in the future. …”
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Snøhetta : Collective Intuition / by Snøhetta (Firm), editor 636034

Color's psychological impact and expressive connotations in human civilizations (a practical experience in artistic design) by hala mahdy

“…AS color plays an important role in different civilizations like Egyptian civilization and Islamic civilizations which occupied art museums and historical buildings with its unique art contain exhilarating colors expressing the artist idea and vision where colors can be represented as people, rivers and trees it is complete life artist could see-through color and lines forming lusty live images.Research Problem:Our life became less colored on the contrary previous civilizations put color in high stature consequently color became an important part of the design but currently, color is neglected.Streets, squares, and buildings have no color spirits like before that affect the people life, color is an important element in the composition, it’s a proof of spiritual values in nature so that we are in an urgent need to have art studies express the color role and help in enriching the society with art samples showing the role of color in design through consecutive civilizations and the impact of developing modern art design.…”
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Magnetic and chemical biomonitoring of particulate matter at cultural heritage sites: The Peggy Guggenheim Collection case study (Venice, Italy) by Lisa Grifoni, Aldo Winkler, Luigi Antonello Di Lella, Luciano Pensabene Buemi, Antonio Sgamellotti, Lilla Spagnuolo, Stefano Loppi

“…Therefore, the monitoring of air quality assumes a central role for the preventive conservation of CH.In this study, magnetic and chemical biomonitoring of PM was applied at the Peggy Guggenheim Collection, a contemporary and modern art museum in Venice, Italy. It is located in an aquatic context, where the PM sources are considerably different, with respect to the usual vehicular-dominated urban emissions.Lichen biomonitoring is a well-established technique for the assessment of air quality, especially where PM collecting devices cannot be operated for aesthetic and practical reasons.Samples of the lichen species Evernia prunastri were collected from a pristine area and exposed for three months (November 2022–February 2023) at increasing distances from the Grand Canal, planning an outdoor vs. indoor sampling design, for outlining the diffusion of airborne PM inside the museum.In combination with lichen exposure, the leaves of Pittosporum tobira hedges were sampled for determining their efficiency as bioaccumulators.The magnetic properties of lichens showed a moderate bioaccumulation of magnetite-like particles outdoors. …”
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CALCULATION OF BUILDINGS WITH COMPLEX GEOMETRIC SHAPES FOR WITHSTANDING WIND IMPACT by E. K. Agakhanov, G. M. Kravchenko, A. S. Osadchiy, E. V. Trufanova

“…A finite element model of a modern art museum building having a complex geometric shape is developed for the calculation of the wind flow and the definition of comfort zones. …”
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Street art. Drawing on the walls by Antonella Di Luggo, Ornella Zerlenga

“…</div><div>At the beginning of the 1980s, this form of art arrived in Italy with the exhibition <em>Arte di frontiera</em>: <em>New York graffiti</em>, presented by the art critic Francesca Alinovi at the Gallery of Modern Art GAM of Bologna. This form of mural art soon spread to the main Italian cities in the name of a message of underground cultural protest parallel to the world of institutional art.…”
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Costanza Lorenzetti: una brillante allieva di Adolfo Venturi tra l’Accademia di Belle Arti e l’Università di Napoli/Costanza Lorenzetti: a brilliant pupil of Adolfo Venturi between... by Claudio Malice

“…From 1935 she taught History of Medieval and Modern Art also at the University of Naples, obtaining the definitive qualification for university teaching in 1949. …”
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